"The real impetus of this book is the timpani. It is definitely the driving force for the percussion inBack to the Future and it requires a big articulate sound and once again Yamaha with the Evans Orchestral White Opaque Heads just deliver."
Sean Ritenauer's percussion setup for the Broadway production of Something Rotten at the St James Theatre.
Perry Cavari's drum set setup for the Broadway production of Something Rotten at the St James Theatre.
Dave Roth's percussion setup for the Broadway Revival of Evita at the Marquis Theatre.
Bill Lanham's drum set setup for the Broadway Revival of Evita at the Marquis Theatre.
Paul Davis' setup for the Broadway production of Newsies at the Nederlander Theatre in New York City.
Damien Bassman's setup for the Broadway production of If/Then at the Richard Rodgers Theatre.
Andy Jones' percussion setup for the Broadway production of Wicked at the Gershwin Theatre.
Mike Englander’s percussion setup for the Broadway production of Aladdin at the New Amsterdam Theatre.
"I love playing this show because the music is timeless. I grew up listening to these songs and am still amazed by how well they hold up. This was a period of song writing that produced an unbelievable amount of classic hits."
Eric Poland's drum set setup for the Broadway revival of Annie at the Palace Theatre.
"At the end of each show, I rotate the top of the cymbal stand holding the bell plate/triangle/mallet tray and move the 26” timpani to the corner to provide a pathway for the crew to access the box."
Joe Nero's percussion setup for the Broadway revival of Annie at the Palace Theatre.
Bill Lanham’s drum set setup for the Broadway revival of Cats at the Neil Simon Theatre.
Perry Cavari's drum set setup for the Broadway production of Big Fish at the Neil Simon Theatre.