Expert advice and interesting insight from
Broadway Drummers, and Percussionists.
Musical Theatre Articles
What it Takes to Live in New York City as a Pro...
By Ray Marchica "If you are passionate, driven, feel you have a calling, a burning desire to play, practice, perform, and record music that you can share with the world,...
What it Takes to Live in New York City as a Pro...
By Ray Marchica "If you are passionate, driven, feel you have a calling, a burning desire to play, practice, perform, and record music that you can share with the world,...
Setups
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The Addams Family - Sal Mazzotta
I usually play Zildjian cymbals at home, but I didn’t want to bring my K's on the road. I had been to Jon Singer’s 3rd Floor Percussion Bāzār a few...
The Addams Family - Sal Mazzotta
I usually play Zildjian cymbals at home, but I didn’t want to bring my K's on the road. I had been to Jon Singer’s 3rd Floor Percussion Bāzār a few...
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The Wizard of Oz - George English
"As you’ll see from the photos, there’s a large amount of gear, some might say excessive, but I tried to find the right colours and sounds for every moment, particularly...
The Wizard of Oz - George English
"As you’ll see from the photos, there’s a large amount of gear, some might say excessive, but I tried to find the right colours and sounds for every moment, particularly...
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A Chorus Line - Alec Wilmart
"The Yamaha Oak Custom was a great kit for this show, tuned pretty much wide open with gel mutes to emulate that '70s ‘Dead Drum’ sound. It's a rock show,...
A Chorus Line - Alec Wilmart
"The Yamaha Oak Custom was a great kit for this show, tuned pretty much wide open with gel mutes to emulate that '70s ‘Dead Drum’ sound. It's a rock show,...
