• Drum Set and Percussion Setups from Musical Theatre and More

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Below you'll find the latest 90 Setup Shots from Broadway, Regional Theaters, Session Work, Road Tours and more.

There are over 350 in all and more on the way.

Use the search tab bottom right if you're looking for a specific show. For example, type in Wicked or A Chorus Line.

Click the menu at the top left to search by category or performer.

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Billy Miller

Pageant - Regional - Scot Sexton


Scot Sexton’s setup for Pageant: The Musical Comedy Beauty Competition at ACT Theatre in Seattle, Washington.

“This was for the premiere show of A Sensible Theatre Company in Seattle, Washington. It is a wonderful drum book, covering lots of different styles of music.

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The Little Mermaid - Regional - Ethan Deppe


Ethan Deppe’s setup for The Little Mermaid at the Chicago Shakespeare Theatre in Chicago, Illinois.

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Les Miserables - Regional - Guy Gauthreaux

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Guy Gauthreaux's setup for Les Miserables at the Theatre Baton Rouge in Baton Rogue, Louisiana.

"The 70‘s Mercedes Benz hubcap is used for the ‘copper pot’ and ‘garbage can lid’ as it produces many various sounds and definitely ‘elevates’ the look and feel of the setup"

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Radio City Christmas Spectacular - Mario DeCiutiis, Dave Roth, Matt Beaumont

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Mario DeCiutiis, Dave Roth, and Matt Beaumont’s percussion setup for the 2014 Radio City Christmas Spectacular in New York City.

"Most of the percussion is played on the PanKATs. The white lettering is used to remind the players which pad triggers which sample."

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Radio City Christmas Spectacular - Kyle Maxwell-Doherty, Joshua Mark Samuels

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Kyle Maxwell-Doherty and Joshua Mark Samuels' percussion setup for the 2015 Radio City Christmas Spectacular in New York City.

"Having the ability to perform the majority of the book on electronic percussion instruments (save the timpani) allows the rest of the band to spread out physically and save their ears in the pit. However, the main reason for the extensive use of electronic percussion is the control and flexibility it affords the section."

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New York Spectacular at Radio City - Joshua Mark Samuels

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Joshua's Mark Samuels' drum set setup for the New York Spectacular at Radio City.

"This show was incredible not just because the orchestra and music was fantastic, but also because during one number in the middle of the show, the percussionist and I got off the band car, changed into costumes and headed up to the stage where we ran down the aisle and performed bucket solos."

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The Hunchback of Notre Dame - Regional - Paul Hansen

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Paul Hansen's setup for the The Hunchback of Notre Dame at the 5th Avenue Theatre in Seattle, Washington.

"The Tam Tam has the mounted 'throw ‘n’ go' mallet mount."

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Pippin - Regional - Will Marinelli

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Will Marinelli's percussion setup for the Hightstown High School's production of Pippin in Hightstown, New Jersey.

"Just prior to downbeat on our final show, the soundboard died."

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Pajama Game - Regional - Paul Hansen

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Paul Hansen’s percussion setup for Pajama Game at the 5th Avenue Theatre in Seattle, Washington.

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Sweeney Todd - Regional - Sam Wisman

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Sam Wisman’s combined book setup for Sweeney Todd at Kansas City Repertory Theatre.

"I mount as much as possible from STRONG cymbal stands and stack cymbals to save space and allow easy one handed rolls."

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In The Heights - Regional - Brett Beiersdorfer

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Brett Beiersdorfer's setup for In the Heights at the CM Performing Arts Center in Oakdale, New York.

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Tarzan - Regional - Rob Guilford

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Rob Guilford's percussion setup for Tarzan at the White Plains Performing Arts Center in White Plains, New York.

"Space was very tight in the theater, so having the malletKAT for all of the mallet and timpani parts was a lifesaver."

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Tarzan - Regional - Rob Fedson

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Rob Fedson's setup for Tarzan at the Palace Theatre in Georgetown, Texas (Austin area).

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Smokey Joe's Cafe - Regional - Debbie Minnichelli

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Debbie Minnichelli's percussion setup for Smokey Joe's Cafe at the Stage Door Repertory Theatre in Anaheim, California.

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Assassins - Regional - Patrick Morrow

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Patrick Morrow's setup from The Milwaukee Rep production of Assassins.

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How to Succeed in Business Without Really Trying - Regional - Paul Hansen

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Paul Hansen's percussion setup for How to Succeed in Business Without Really Trying at the 5th Avenue Theatre in Seattle, Washington.

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How to Succeed in Business Without Really Trying - Regional - Alec Wilmart

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Alec Wilmart's drum set setup for How to Succeed in Business Without Really Trying at the 5th Avenue Theatre in Seattle, Washington.

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Ain't Misbehavin' - Regional - Scot Sexton

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Scot Sexton’s setup for the Seattle Musical Theater's production of Ain’t Misbehavin’ in Seattle, Washington.

"The drums I chose on this production are refurbished vintage Ludwig’s that I put Slingerland Beavertails on."

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Seussical - Regional - Brandon Levesque

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Brandon Levesque’s percussion setup for Rhode Island College’s production of Seussical.

"For the crotale sound, I cut a timbale mallet down and screwed a finger cymbal to the top, using that as a mallet on the bells."

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Dreamgirls - Regional - Alec Wilmart

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Alec Wilmart’s percussion setup for Dreamgirls at the Village Theater in Seattle, Washington.

“I listened to a lot of Jackie Wilson, James Brown, Temptations, Supremes, and Earth Wind and Fire to help prepare the different bongo and conga grooves.”

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Dreamgirls - Regional - Jim Reif

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Jim Reif’s drum set setup for Dreamgirls at the Village Theater in Seattle, Washington.

“The fun never stops and the train keeps on moving.”

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Seussical - Regional - Scot Sexton

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Scot Sexton’s combined book setup for Seussical with Broadway Bound in Seattle, Washington.

“…I knew I would be juggling sticks, page turns, shakers, and beaters so as I was combining the books I was also working on my layout and choreography.”

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Ragtime - Regional - Paul Hansen

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Paul Hansen’s setup for Ragtime at the 5th Avenue Theatre in Seattle, Washington.

“Seen here are many of my usual stock effects…”

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Kid Victory - Regional - Greg Landes

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Greg Landes’ setup for John Kander’s Kid Victory at the Vineyard Theatre in New York City.

“Michael Starobin did his usual brilliant work with the orchestrations and the drum/percussion book and I always felt challenged musically and engaged throughout the show.”

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Between The Lines - Regional - Sam Wisman

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Sam Wisman’s setup for the world premiere and regional tryout of Between The Lines at the Kansas City Repertory Theatre in Kansas City, Missouri.

“The styles and sounds required range from classic Broadway to swing, vaudeville, orchestral, rock, and disco.”

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In The Heights - Regional - Angel Williams

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Angel Williams’ percussion setup for In The Heights at the Judge Memorial High School in Salt Lake City, Utah.

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Kiss Me Kate - Regional - Scot Sexton

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Scot Sexton’s combined book setup for the Seattle Musical Theaters production of Kiss Me Kate in Seattle, Washington.

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Seussical - Regional - Chris Roberts

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Chris Roberts’ combined book for the Hamilton-Wenham Regional High School production of Seussical in South Hamilton, Massachusetts.

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Pippin - Regional - Michael Dooley

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Michael Dooley’s percussion setup for Pippin at Heritage High School in Frisco, Texas. This is the 2006 MTI version.

“I had to pick and choose which instruments I could cover per number, using the criteria 1) ‘Can I do this and still sound good’ and 2) ‘What is the most important sound to have here’”.

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Urinetown - Regional - Chris Roberts

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Chris Roberts’ setup for Urinetown at Dartmouth College in Hanover, New Hampshire.

“…This was when I was told the pit was literally a pit (no stairs, or elevators) and the only access were two ladders (one on either side)”

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Fiddler On The Roof - Regional - Chris Roberts

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Chris Roberts’ setup for Fiddler On The Roof at the Plymouth State University in Plymouth, New Hampshire.

“I played around with my cymbal choices a bit but went with a 16" and 18" crash. There isn't very much ‘riding’ and I wanted the option to be able to have two crash sounds.”

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Avenue Q - Regional - Mike Wecker

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Mike Wecker’s setup for Avenue Q at the Paper Wing Theatre in Monterey, California.

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Memphis - Regional - Whitney Kessling

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Whitney Kessling’s setup for Memphis at the Playhouse on the Square in Memphis, Tennessee.

“It was a pretty straight forward drum set show, and fortunately it used a triangle for one song, so I got to use my Miller Machine!”

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Bring it On - Regional - Angel Williams

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Angel Williams’ percussion setup for Bring It On at the University of Utah, Musical Theater Department in Salt Lake City, Utah. See more...

Cinderella - Regional - Richard Hilms

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Richard Hilms' setup for Cinderella.See more...

Mary Poppins - Regional - Joe Beam

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Joe Beam's drum-set setup for Mary Poppins at Theatre Under the Stars in Houston, Texas.See more...

Cinderella - Regional - David Glover

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David Glover's setup for Cinderella at the North Allegheny Senior High School just North of Pittsburgh, Pennsylvania.See more...

Beauty and the Beast - Regional - Angel Williams

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Angel Williams’ percussion setup for the Herriman Arts Councils production of Beauty and the Beast in Herriman, Utah. See more...

Beauty and the Beast - Regional - Jaren Angud

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Tarzan - Regional - Angel Williams

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Angel Williams’ combined book setup for Tarzan at the Kensington Theatre Company in South Jordan, Utah. See more...

Les Miserables - Regional - Jaren Angud

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Jaren Angud's setup for Les Miserables at the Eisenhower Auditorium at Penn State University in University Park, Pennsylvania.See more...

Peter and the Starcatcher - Regional - Brad Wetmore


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Brad Wetmore's setup for South Bay Musical Theater's production of Peter and the Starcatcher.

"Between the Music Director/Piano player and myself, we covered just over 60 instruments."

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How to Succeed in Business Without Really Trying - Regional - Will Marinelli

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Will Marinelli's percussion setup for How to Succeed in Business Without Really Trying at Ithaca College in Ithaca, New YorkSee more...

Crazy For You - Regional - Ryan McCausland

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Ryan McCausland's drum set setup for Crazy for You at the Hammonton Youth Theatre in Hammonton, New JerseySee more...

Tony Thackery - Shrek The Musical

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The Pit Stop Players - Greg Landes

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Greg Landes’ setup for the Pit Stop Players’ concert at Symphony Space in New York City. See more...

Chicago - Regional - Joe Beam

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Joe Beam's set-up for Chicago at The Kinkaid School in Houston, Texas.

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