The Miller Machine
Horizontal Machine
Horizontal Machine
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Hang your triangle horizontally to keep it steady, even during very fast passages.
Perfect in your Front Ensemble or marching settings, or anywhere you need an extra hand.
Beater Options:
Brass: Warm and mellow. Perfect for softer musical settings.
Stainless: Bright, clean, and consistent. A great all-around choice.
Steel: Sharp and cutting for maximum projection in louder environments.
Horizontal Mount also available separately.
More info below.
[crotale, finger cymbal, Finger Cymbal Mount, Handheld Beaters, mount, triangle, not included]
Anywhere In Your Setup
Place your triangle horizontally wherever you need it most.
Ideal for Front Ensembles, or marching situations.
Use any standard 3/8" percussion mount.
Better Bracket
New Mounting Bracket makes it easier to install, and position your triangle.
Includes Suspension Mounts.
Still have an old Mount? Look below for free upgrade.
Striking Surface
Includes custom-made red latex striking surface.
Natural Feel
Excellent Rebound
Minimal Stick Attack
Great Visibility in Low-Light Settings
Finger Cymbal
Add a finger cymbal, or crotale, to your setup.
Finger Cymbal Mount sold separately.
Handheld Beater
The New Handheld Beater works great with the Horizontal Machine, and Horizontal Mount.
Four holes (with rubber sleeves to reduce noise) keep the Beaters close by for quick and easy handheld use.
Built by Billy
Designed, and built, by Broadway Drummer/Percussionist Billy Miller, in Seattle, Washington.
Thank you for your support!
Purchase Includes
Horizontal Mount
Mounting Rod
Mounting Brackets
Black, or Flame Body
Brass, Stainless, or Steel Beater
In stock, ready to ship from Seattle, Washington.
"Fantastic"
Steve A, Seattle, Washington
"I bought the new version of the Horizontal Miller Machine, and it has worked out great. I've owned a few different horizontal mounts, and this has the best positioning for the triangle to have plenty of room to play fast double beater passages.
And of course it's still a Miller Machine too so you can use the stick to strike the beater. I appreciate all of the thought into the details that Billy has put into these machines.
They are life savers in the pit!"
Setting Up
Upgrade
If you've purchased a Horizontal Machine, or Horizontal Mount (red knob) I'll be happy to upgrade you to the new Mounting Brackets.
Machines: Order 2 or More
5% off each, discount in cart.
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Triangle Machine
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Finger Cymbal Machine
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Triangle Machine Plus
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Horizontal Machine
Regular price From 9.500 ISKRegular price
In The Wild
Setups
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Avenue Q - Joe Choroszewski
"My friend Michael Croiter played the original Broadway run of six years, where I frequently subbed for him. I then inherited the show, as I was hired for this production...
Avenue Q - Joe Choroszewski
"My friend Michael Croiter played the original Broadway run of six years, where I frequently subbed for him. I then inherited the show, as I was hired for this production...
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Hairspray - Craig Given
"I made some special double sided mallets to deal with the fast changes between glock and timpani in 'I Can Hear The Bells'. They were essentially hard PVC balls mounted...
Hairspray - Craig Given
"I made some special double sided mallets to deal with the fast changes between glock and timpani in 'I Can Hear The Bells'. They were essentially hard PVC balls mounted...
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Evita - Tim Sellars
"And The Money Kept Rolling In (And Out)' was a blast to play. The 7/8 pattern was fairly straight forward but there was one section (end of the chorus) where...
Evita - Tim Sellars
"And The Money Kept Rolling In (And Out)' was a blast to play. The 7/8 pattern was fairly straight forward but there was one section (end of the chorus) where...
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Ain't Misbehavin' - Scot Sexton
"I chose each of the cymbals for a specific sound as well. I went with fast crashes so that the sound would fade away fairly fast. The band was on...
Ain't Misbehavin' - Scot Sexton
"I chose each of the cymbals for a specific sound as well. I went with fast crashes so that the sound would fade away fairly fast. The band was on...
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Living and Working in New York City
Jared Schonig shares his experience living and working in New York City as a professional musician, with insight into lifestyle, career choices, and performance opportunities.
Living and Working in New York City
Jared Schonig shares his experience living and working in New York City as a professional musician, with insight into lifestyle, career choices, and performance opportunities.
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Conducting a National Tour
Being a go-to percussionist on a national tour requires adaptability, communication, and efficient workflow. Danny Taylor shares professional insights from his experience performing in top shows across the country.
Conducting a National Tour
Being a go-to percussionist on a national tour requires adaptability, communication, and efficient workflow. Danny Taylor shares professional insights from his experience performing in top shows across the country.
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What it Takes to Live in New York City as a Pro...
Living and working as a professional musician in New York City demands versatility, perseverance, and smart career choices. Ray Marchica shares practical advice from his years performing in the city.
What it Takes to Live in New York City as a Pro...
Living and working as a professional musician in New York City demands versatility, perseverance, and smart career choices. Ray Marchica shares practical advice from his years performing in the city.
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On Being a "Go-To" Drummer for Broadway
Being a “go-to” Broadway drummer requires versatility, preparation, and professionalism. Rich Rosenzweig shares tips from his experience performing in top shows on Broadway.
On Being a "Go-To" Drummer for Broadway
Being a “go-to” Broadway drummer requires versatility, preparation, and professionalism. Rich Rosenzweig shares tips from his experience performing in top shows on Broadway.
