The Miller Machine
Finger Cymbal Machine
Finger Cymbal Machine
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Play your finger cymbal, or crotale, with any implement, including your hand.
Ideal for a modern pit setting where versatility is key.
Beater Options.
- Brass: Warm and mellow. Perfect for softer musical settings.
- Brass Ball: Focused warmth with a clear, centered attack.
- Stainless: Bright, clean, and consistent. A great all-around choice.
- Steel: Sharp and cutting for maximum projection in louder environments.
Note: A Finger Cymbal Arm is included with every Finger Cymbal Machine, no need to order it separately.
More info below.
[crotale, finger cymbal, mount, not included]

Always Available
Always there, ready to play.
Set it and forget it.
Four Beater Options
Brass: Warm and mellow.
Brass Ball: Focused warmth, centered attack.
Stainless: Bright, clean, great all-around choice.
Steel: Sharp, cutting, for maximum projection.
Most Finger Cymbals
Dream, Meinl, Sabian, TreeWorks, Weiss, and Zildjian, all work great.
Not compatible with
LP model LP436.
Place Anywhere
Use any standard 3/8" percussion mount to place your finger cymbal or crotale anywhere in your setup.
Custom Made
Designed and built by Broadway Drummer/Percussionist Billy Miller in Seattle Washington.
[Big Fish Cast Album]
Striking Surface
Includes custom-made red latex striking surface.
Natural Feel
Excellent Rebound
Minimal Stick Attack
Great Visibility in Low-Light Settings
What's Included
Finger Cymbal Arm
Finger Cymbal Mount
Black, or Flame Body
Brass, Brass Ball, Stainless, or Steel Beater
In stock, ready to ship, from Seattle, Washington.
Shown with Black Body and Brass Ball Beater.
Unboxing & Setting Up
Finger Cymbal Machine for the Win!
"I’m also using my finger cymbal machine for a number of solo cues on the Broadway show 'Lempicka' this spring. The finger cymbal has become an important sound to the show, and Billy’s machine makes my life 100x easier!"
Dan B. New York City
Two or More...
Order two or more Miller Machines, get 5% off each, discount in cart.
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Finger Cymbal Arm
"Why didn’t I think of that."
"No questions, just wanted to tell you what a great idea you had. I played most of the National Tours that came through Orlando and Tampa from 1990 thru 2020. I first heard it when Mary Poppins came through. I couldn’t figure how the drummer made the mallet switch and played 16th notes, he used two. It was a 'why didn’t I think of that moment'. I’m glad you did!"
Thanks, Chuck. from my iPhone
In The Wild