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Avenue Q - Joe Choroszewski

Joe Choroszewski's setup for the Off Broadway production of Avenue Q at New World Stages, in New York City.

Joe's write-up and gear list below photos.

Joe Choroszewski's setup for the Off-Broadway production of Avenue Q at New World Stages, in New York City.Joe Choroszewski's setup for the Off-Broadway production of Avenue Q at New World Stages, in New York City.Joe Choroszewski's setup for the Off-Broadway production of Avenue Q at New World Stages, in New York City.Joe Choroszewski's setup for the Off-Broadway production of Avenue Q at New World Stages, in New York City.Joe Choroszewski's setup for the Off-Broadway production of Avenue Q at New World Stages, in New York City.

Joe Choroszewski:

Avenue Q is the trendsetting first show of its kind to immediately transfer to a smaller Off-Broadway production following a Broadway run. My friend Michael Croiter played the original Broadway run of six years, where I frequently subbed for him. I then inherited the show, as I was hired for this production at New World Stages. My setup similarly reflects what Michael had at the Golden Theatre, but is also a bit streamlined and configured to fit the available space.

A few notes about my setup.

The Tama Steel Toms are actually there to cover parts written for bongos. I was specifically told to not bring bongos, as the production did not want to incur the extra fee for the double. I didn't want to lose the written parts though, so I created a sound that was comparable.

An example of streamlining the setup is seen with the use of the LP Granite Blocks. That instrument covers parts written for both temple blocks and wood block.

The Miller Machines were something I chose to employ for this production, and were not used previously. They create tremendous ease for certain musical numbers in which there used to be some demanding beater switches."

Drums: Yamaha Oak Custom Drums (York Honey Amber Oak finish)

  • 17"x20" Bass Drum
  • 8"x10" Small Tom
  • 9"x12" Medium Tom
  • 14"x15" Floor Tom on legs

Snare:

  • Pearl 5"x14" Sensitone Brass

Heads:

  • Remo CS Coated on Snare
  • Remo Coated Emperors on Tom Batters, Remo Clear Ambassadors on Tom Resonants
  • Remo Clear Powerstroke 3 on Bass Drum

Hardware:

  • Pearl ICON Rack
  • Tama Iron Cobra Bass Drum Pedal
  • Varied mix of Pearl, Tama, DW, RhythmTech, and Yamaha Mounting Hardware

Aside from the rack, the TreeWorks Classic Chimes are on a cymbal stand for positioning reasons, and the tambourine is on its own cymbal stand due to its ‘responsiveness’.

Cymbals: (L-R)

  • Zildjian 14" New Beat Hi Hats
  • Sabian 16" Sabian HHX Manhattan Jazz Crash
  • Zildjian 9" Oriental Trash Splash
  • Sabian 12" Sabian AAX Splash
  • Sabian 21" Sabian AAX Raw Bell Dry Ride
  • Sabian 17" Hand Hammered Thin Crash
  • Zildjian 18" China Boy (High)
  • Sabian 12" AAX Mini Chinese
  • Zildjian 6" Zil-Bel

Percussion:

  • LP Granite Blocks
  • Tama Metalworks Effect Mini-Tymps (6" & 8" Steel Toms)
  • TreeWorks Classic Chimes
  • LP Vibra-Slap
  • Steve Weiss "Sleigh Ride Special" 24" Slapstick
  • LP Rock Cowbell
  • LP Cyclops Tambourine
  • LP Black Beauty Cowbell
  • RhythmTech EGGZ Egg Shakers
  • Steve Weiss Bell Tree
  • Miller Machine with Alan Abel 4" Triangle
  • Miller Machine with Zildjian Finger Cymbal
  • Acme Siren Whistle
  • Acme Slide Whistle
  • Toca Ratchet (mounted on its side via Pearl clamp)

Avenue Q - Off Broadway - Joe Choroszewski
October 2009 thru May 2019

Joe Choroszewski's setup for the Off-Broadway production of Avenue Q at New World Stages, in New York City.

"Conducting a National Tour is incredibly challenging, but so rewarding. Stepping on to the podium with a new orchestra every few weeks really keeps you on your toes. Every player responds differently so you are constantly adjusting to get the desired result. I would compare it to playing a multi-percussion piece where the instruments are constantly moving."
"After a grueling four years at SUNY I still had one theory class left to finish. I was really depressed. A classmate of mine recommended me for a tour of a Broadway show. This completely changed the course of my life."
"When I first got the call to start working on Ain’t Too Proud - The Life And Times Of The Temptations, I was curious about which era the show was going to focus on. Their career began in the early 1960’s and they’re still releasing albums today."
"The timpani tunings are the real challenge of The Little Mermaid. Changing pitches must be done by feel, that was my biggest challenge. Memorizing the mallet parts was also very necessary."
"As you can see in the pictures, I prefer to have as much 'stuff' right in front of me, as close as possible. Because there are so many instruments close in, I have mounted a music stand off of the tom mount.
"Different from the tour, the original Broadway production had acoustic drums, an acoustic set of timbales, and an acoustic tambourine - the tambourine is now programmed in the SPD-SX."
  • 2 min read

Gene Krupa's drum solo from "Gene's Blues" from the album Gene Krupa and Buddy Rich released November 1955.

Steve Jordan's drum solo from the title track of the album Casa Loco.
Robbie Ameen's drum solo from the track "Spring Fling".

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