Sal Mazzotta's setup for The Tattooed Lady at the Suzanne Roberts Theatre, in Philadelphia, Pennsylvania.
Brian Kilgore's percussion setup for the International Tour of Pippin at the Hollywood Pantages Theatre in Hollywood, California.
Ethan Deppe’s setup for The Little Mermaid at the Chicago Shakespeare Theatre in Chicago, Illinois.
Scott Elford's percussion setup for Newsies at the Fox Cities Performing Arts Center in Appleton, Wisconsin.
Jason Degenhardt's combined book setup for Mary Poppins at the Topeka Civic Theatre in Topeka, Kansas.
Bill Lanham’s drum set setup for the Broadway revival of Cats at the Neil Simon Theatre.
Noah Hadland's setup for the 2nd National Tour of Waitress at the Southern Alberta Jubilee Auditorium in Calgary, Alberta, Canada.
Sam Wisman’s setup for the World Premiere and regional tryout of Between The Lines at the Kansas City Repertory Theater, in Kansas City, Missouri.
Scot Sexton’s combined book setup for the Seattle Musical Theaters production of Kiss Me Kate in Seattle, Washington.
Tim Sellars' setup for Chicago at the Court Theatre in Christchurch, New Zealand.
Steve Bartosik’s setup for the National Tour of Bright Star.
Dennis J. Arcano’s setup for a brand new, multimedia production of Stephen Schwartz's Working at ACT in Ridgefield, Connecticut.