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Little Shop of Horrors - Skyler Fortgang

Skyler Fortgang’s percussion setup for Little Shop of Horrors at The Livingston Theater Company at Rutgers University in New Brunswick, New Jersey.

Read Skyler's write-up about the show, below the photos.

Skyler Fortgang’s percussion setup for Little Shop of Horrors at The Livingston Theater Company at Rutgers University in New Brunswick, New Jersey.Skyler Fortgang’s percussion setup for Little Shop of Horrors at The Livingston Theater Company at Rutgers University in New Brunswick, New Jersey.Skyler Fortgang’s percussion setup for Little Shop of Horrors at The Livingston Theater Company at Rutgers University in New Brunswick, New Jersey.Skyler Fortgang’s percussion setup for Little Shop of Horrors at The Livingston Theater Company at Rutgers University in New Brunswick, New Jersey.Skyler Fortgang’s percussion setup for Little Shop of Horrors at The Livingston Theater Company at Rutgers University in New Brunswick, New Jersey.Skyler Fortgang’s percussion setup for Little Shop of Horrors at The Livingston Theater Company at Rutgers University in New Brunswick, New Jersey.

"This setup for the percussion book is fairly non-traditional. With the limited space I had I basically put all of the 'big' instruments I didn’t own into a MainStage file. This included: timpani, vibraphone (played on a small two octave MIDI controller), xylophone, chimes, bell tree, castanets, sampled hand claps, and Vibraslap.

I built a custom MainStage layout that would accommodate the Alesis SamplePad Pro (had to make a special read/receive layout for this device) for my more percussive samples, the MIDI controller, and a foot switch for changing patches simultaneously."

Acoustic Equipment:

  • Pearl Primero Congas
  • LP Matador Bongos
  • Vic Firth Bell Kit
  • Pearl Mountable/Detachable Rock Tambourine
  • TreeWorks TRE35 Wind Chimes
  • Abel 6” Triangle - Powered by the Miller Machine
  • LP Double Sambago Bells
  • Zildjian K 20” Crash Ride
  • LP Chick-Ita Shaker
  • LP Soft Shake

Electronic Equipment:

  • Apple 13” MacBook Pro running MainStage 3
  • D-Link USB Hub (to house MIDI devices and Interface)
  • Focusrite Scarlett 2i2 USB Audio Interface (outputting to house and to monitor)
  • Radial D2 Pro DI Box (out to house)
  • M-Audio BX5 (personal monitor)
  • Oxygen v8 MIDI USB Keyboard
  • Alesis SamplePad Pro
  • ProLine Sustain Pedal (rigged to work as foot switch)

Sticks:

  • Vic Firth SD6 Swizzle Drumsticks
  • Innovative Percussion OS-5 Bell Mallets

Little Shop of Horrors - Regional - Skyler Fortgang
November 2016

Skyler Fortgang’s percussion setup for Little Shop of Horrors at The Livingston Theater Company at Rutgers University in New Brunswick, New Jersey.

Eric Poland's drum set setup for the Broadway revival of Nice Work If You Can Get It at the Imperial Theatre.
David Thalmann’s setup for Joseph and the Amazing Technicolor Dreamcoat at the Murray Arts Guild - Murray Park Amphitheater, in Murray, Utah.
Mike Drake's set up for Side Show at the Casa Mañana Theater, in Fort Worth, Texas.
  • 3 min read
"Thursday, February 16th, 2017 was a special day. I was both excited and nervous as I stepped into SIR Studios in Manhattan to start the first orchestra rehearsal for the Broadway production of Miss Saigon."
"When preparing a percussion book for a new Broadway show, we occasionally get the music in advance. That allows us to start our “treasure hunt” early, to have the right sounds ready, and to get a jump on the setup. But often, Broadway is the first appearance of the fully orchestrated show, and we have seen very little before the first rehearsal."
  • 5 min read
"The musical experience of recording a Broadway cast album ranges from easy to difficult depending on the circumstances. I find that the two factors that contribute most to the quality of the experience are: 1) how good the band is; and 2) how soon after you started the show you record the album"
  • 5 min read
Robbie Ameen's drum solo from the track "Spring Fling".

Gene Krupa's drum solo from "Gene's Blues" from the album Gene Krupa and Buddy Rich released November 1955.

Bill Stewart's drum solo from the title track of his album Snide Remarks.

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