Triangle

Finger Cymbal

Triangle Plus

Horizontal

Order two or more Machines. Get 5% off each. Discount in cart.

Triangle Arm

Body

Finger Cym Arm

Plus Body

Horizontal Mount

All pieces interchangeable. Mix and match.

Beater Upgrade Kit

Extra Plastic Ties

Finger Cymbal Mount

Triangle Suspension Mount

Order 3 or more. Get 15% off all. Discount in cart.

Motown - Roger Squitero

Roger Squitero's hand drum setup for the Broadway production of Motown at the Lunt-Fontanne Theatre.

Read Roger's write-up about the show below the photos.

Roger Squitero's hand drum setup for the Broadway production of Motown at the Lunt-Fontanne Theatre.Roger Squitero's hand drum setup for the Broadway production of Motown at the Lunt-Fontanne Theatre.Roger Squitero's hand drum setup for the Broadway production of Motown at the Lunt-Fontanne Theatre.Roger Squitero's hand drum setup for the Broadway production of Motown at the Lunt-Fontanne Theatre.Roger Squitero's hand drum setup for the Broadway production of Motown at the Lunt-Fontanne Theatre.Roger Squitero's hand drum setup for the Broadway production of Motown at the Lunt-Fontanne Theatre.Roger Squitero's hand drum setup for the Broadway production of Motown at the Lunt-Fontanne Theatre.Roger Squitero's hand drum setup for the Broadway production of Motown at the Lunt-Fontanne Theatre.

Photo below: Buddy Williams (drums), Gary Seligson (percussion), and Roger Squitero, in the pit of Motown.

Roger Squitero's hand drum setup for the Broadway production of Motown at the Lunt-Fontanne Theatre.

“I lost my studio in Hurricane Sandy. It was located in the Westbeth building just a block east of the Hudson River in Manhattan. It flooded from floor to ceiling. I pretty much lost a career’s worth of instruments and memorabilia but I was able to salvage some of my stuff.

About a month after Motown opened I realized we were going to be here for a while and decided to decorate my percussion cubicle. I had some old photos and touring laminates that I recovered after the storm so I decided to take them out of a box and put them up. It gives me a sense of where I have been and reminds me of many great friendships I have made in my career. There are a couple photos of Buddy Williams and I that go back 35 years.

I love playing this show because the music is timeless. I grew up listening to these songs and am still amazed by how well they hold up. This was a period of song writing that produced an unbelievable amount of classic hits. Within the first week of rehearsals I realized we had a pretty special band. I had previously worked with Gary Seligson on the Broadway Musical Tarzan (he was the kit player) and so I knew that Buddy, Gary, and I would work well together and I knew a few of the other orchestra players but I was really pleased to find out that the entire orchestra were great veteran musicians with wonderful attitudes. We have a great time working together and the music is flawless.”

  • LP Conga Drums (Giovanni Palladium's) on LP Cradle Stands
  • Paiste 16" 602 Crash Cymbal
  • LP Bar Chimes
  • LP Cha Cha Bell
  • Triangle
  • LP Shaker
  • Meinl Tambourines (4)
  • RhythmTech Tambourine
  • LP Tambourine
  • Piatti

Roger is a proud endorser of Latin Percussion, Paiste Cymbals, Vic Firth Sticks, RhythmTech, and Gibraltar Hardware.

Motown - Broadway - Roger Squitero
May 2014

Roger Squitero's hand drum setup for the Broadway production of Motown at the Lunt-Fontanne Theatre.

Eric Poland's drum set setup for the Broadway revival of Nice Work If You Can Get It at the Imperial Theatre.
David Thalmann’s setup for Joseph and the Amazing Technicolor Dreamcoat at the Murray Arts Guild - Murray Park Amphitheater, in Murray, Utah.
Mike Drake's set up for Side Show at the Casa Mañana Theater, in Fort Worth, Texas.
  • 3 min read
"Thursday, February 16th, 2017 was a special day. I was both excited and nervous as I stepped into SIR Studios in Manhattan to start the first orchestra rehearsal for the Broadway production of Miss Saigon."
"When preparing a percussion book for a new Broadway show, we occasionally get the music in advance. That allows us to start our “treasure hunt” early, to have the right sounds ready, and to get a jump on the setup. But often, Broadway is the first appearance of the fully orchestrated show, and we have seen very little before the first rehearsal."
  • 5 min read
"The musical experience of recording a Broadway cast album ranges from easy to difficult depending on the circumstances. I find that the two factors that contribute most to the quality of the experience are: 1) how good the band is; and 2) how soon after you started the show you record the album"
  • 5 min read
Robbie Ameen's drum solo from the track "Spring Fling".

Gene Krupa's drum solo from "Gene's Blues" from the album Gene Krupa and Buddy Rich released November 1955.

Bill Stewart's drum solo from the title track of his album Snide Remarks.

Search