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Nice Work If You Can Get It - Andy Blanco

Andy Blanco's percussion setup for the Broadway revival of Nice Work If You Can Get It at the Imperial Theatre.

Read Andy's write-up about the show below the photos.

Andy Blanco's percussion setup for the Broadway revival of Nice Work If You Can Get It at the Imperial Theatre.Andy Blanco's percussion setup for the Broadway revival of Nice Work If You Can Get It at the Imperial Theatre.Andy Blanco's percussion setup for the Broadway revival of Nice Work If You Can Get It at the Imperial Theatre.Andy Blanco's percussion setup for the Broadway revival of Nice Work If You Can Get It at the Imperial Theatre.Andy Blanco's percussion setup for the Broadway revival of Nice Work If You Can Get It at the Imperial Theatre.

“When designing my set up I needed to make it slim instead of round because we had to have a pathway between the drums and percussion. There is a moment in the show where an actor enters the pit and climbs a ladder that is positioned directly in front of the glockenspiel. That is why I have the 23" timpani behind the 29" and 26", and the bass drum mounted from the ceiling.

It worked out well to have the vibraphone and xylophone in this position because there is a lot of back and forth between the two."

Andy is a proud endorser of Pearl/Adams Percussion, Innovative Percussion Sticks and Mallets, and Paiste Cymbals.

Nice Work If You Can Get It - Broadway - Andy Blanco
April 2012 thru June 2013

Andy Blanco's percussion setup for the Broadway revival of Nice Work If You Can Get It at the Imperial Theatre.

Eric Poland's drum set setup for the Broadway revival of Nice Work If You Can Get It at the Imperial Theatre.
David Thalmann’s setup for Joseph and the Amazing Technicolor Dreamcoat at the Murray Arts Guild - Murray Park Amphitheater, in Murray, Utah.
Mike Drake's set up for Side Show at the Casa Mañana Theater, in Fort Worth, Texas.
  • 3 min read
"Thursday, February 16th, 2017 was a special day. I was both excited and nervous as I stepped into SIR Studios in Manhattan to start the first orchestra rehearsal for the Broadway production of Miss Saigon."
"When preparing a percussion book for a new Broadway show, we occasionally get the music in advance. That allows us to start our “treasure hunt” early, to have the right sounds ready, and to get a jump on the setup. But often, Broadway is the first appearance of the fully orchestrated show, and we have seen very little before the first rehearsal."
  • 5 min read
"The musical experience of recording a Broadway cast album ranges from easy to difficult depending on the circumstances. I find that the two factors that contribute most to the quality of the experience are: 1) how good the band is; and 2) how soon after you started the show you record the album"
  • 5 min read
Robbie Ameen's drum solo from the track "Spring Fling".

Gene Krupa's drum solo from "Gene's Blues" from the album Gene Krupa and Buddy Rich released November 1955.

Bill Stewart's drum solo from the title track of his album Snide Remarks.

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