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Smokey Joe's Cafe - Debbie Minnichelli

Debbie Minnichelli's percussion setup for Smokey Joe's Cafe at the Stage Door Repertory Theatre in Anaheim, California.

Read Debbie's write-up about the show below the photos.

Debbie Minnichelli's percussion setup for Smokey Joe's Cafe at the Stage Door Repertory Theatre in Anaheim, California.Debbie Minnichelli's percussion setup for Smokey Joe's Cafe at the Stage Door Repertory Theatre in Anaheim, California.Debbie Minnichelli's percussion setup for Smokey Joe's Cafe at the Stage Door Repertory Theatre in Anaheim, California.Debbie Minnichelli's percussion setup for Smokey Joe's Cafe at the Stage Door Repertory Theatre in Anaheim, California.Debbie Minnichelli's percussion setup for Smokey Joe's Cafe at the Stage Door Repertory Theatre in Anaheim, California.Debbie Minnichelli's percussion setup for Smokey Joe's Cafe at the Stage Door Repertory Theatre in Anaheim, California.Debbie Minnichelli's percussion setup for Smokey Joe's Cafe at the Stage Door Repertory Theatre in Anaheim, California.Debbie Minnichelli's percussion setup for Smokey Joe's Cafe at the Stage Door Repertory Theatre in Anaheim, California.Debbie Minnichelli's percussion setup for Smokey Joe's Cafe at the Stage Door Repertory Theatre in Anaheim, California.Debbie Minnichelli's percussion setup for Smokey Joe's Cafe at the Stage Door Repertory Theatre in Anaheim, California.

Debbie Minnichelli:

"The set up was a real exercise in logistics. Since 80 to 90 percent of the show is either congas or tambourine all the toys are only used once or twice. But when you need them, you need them fast! I'm pretty happy with the way it turned out.

The floor tom cocktail kit 'bass drum' worked out really well and so did using the top of the marimba for the xylophone lick.

As always, The Miller Machines were life savers! I ended up using the finger cymbal in place of the triangle for 'Stand By Me' because the triangle was picking up in the actors microphones and sounding like feedback."

Smokey Joe's Cafe - Regional - Debbie Minnichelli
March 2016

Debbie Minnichelli's percussion setup for Smokey Joe's Cafe at the Stage Door Repertory Theatre in Anaheim, California.

"Conducting a National Tour is incredibly challenging, but so rewarding. Stepping on to the podium with a new orchestra every few weeks really keeps you on your toes. Every player responds differently so you are constantly adjusting to get the desired result. I would compare it to playing a multi-percussion piece where the instruments are constantly moving."
"After a grueling four years at SUNY I still had one theory class left to finish. I was really depressed. A classmate of mine recommended me for a tour of a Broadway show. This completely changed the course of my life."
"When I first got the call to start working on Ain’t Too Proud - The Life And Times Of The Temptations, I was curious about which era the show was going to focus on. Their career began in the early 1960’s and they’re still releasing albums today."
"The timpani tunings are the real challenge of The Little Mermaid. Changing pitches must be done by feel, that was my biggest challenge. Memorizing the mallet parts was also very necessary."
"As you can see in the pictures, I prefer to have as much 'stuff' right in front of me, as close as possible. Because there are so many instruments close in, I have mounted a music stand off of the tom mount.
"Different from the tour, the original Broadway production had acoustic drums, an acoustic set of timbales, and an acoustic tambourine - the tambourine is now programmed in the SPD-SX."
  • 2 min read

Gene Krupa's drum solo from "Gene's Blues" from the album Gene Krupa and Buddy Rich released November 1955.

Steve Jordan's drum solo from the title track of the album Casa Loco.
Robbie Ameen's drum solo from the track "Spring Fling".

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