Setups
Over 275 drum-set and percussion setups from Broadway and more.
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Drum and Percussion Setups
Bunty Berman Presents - Adam Wolfe
"I’m using an old set of Slingerland’s from the mid 70’s (13” Small Tom, 16” Floor Tom, and 20” Bass Drum) and a chrome-over-brass ‘Big R’-era Rogers Dynasonic snare drum...
Bunty Berman Presents - Adam Wolfe
"I’m using an old set of Slingerland’s from the mid 70’s (13” Small Tom, 16” Floor Tom, and 20” Bass Drum) and a chrome-over-brass ‘Big R’-era Rogers Dynasonic snare drum...
The Bridges of Madison County - Benny Koonyevsky
"The pit was all acoustic except for a few notes on electric guitar and some electric bass, but overall it was like chamber music. I had to use brushes and...
The Bridges of Madison County - Benny Koonyevsky
"The pit was all acoustic except for a few notes on electric guitar and some electric bass, but overall it was like chamber music. I had to use brushes and...
Aladdin - John Redsecker
John Redsecker’s drum set setup for the Broadway production of Aladdin at the New Amsterdam Theatre.
Aladdin - John Redsecker
John Redsecker’s drum set setup for the Broadway production of Aladdin at the New Amsterdam Theatre.
Side Show - Larry Lelli
Larry Lelli's drum-set setup for the Broadway Revival of Side Show at the St. James Theatre.
Side Show - Larry Lelli
Larry Lelli's drum-set setup for the Broadway Revival of Side Show at the St. James Theatre.
Mamma Mia - Ray Marchica
Ray Marchica's drum set setup for the Broadway production of Mamma Mia at the Broadhurst Theatre in New York City.
Mamma Mia - Ray Marchica
Ray Marchica's drum set setup for the Broadway production of Mamma Mia at the Broadhurst Theatre in New York City.
Between The Lines - Sam Wisman
"There is a lot of simultaneous mallet and drumset playing including vibraphone that necessitates this particular setup."
Between The Lines - Sam Wisman
"There is a lot of simultaneous mallet and drumset playing including vibraphone that necessitates this particular setup."
Articles
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Conducting a National Tour
By Danny Taylor "Conducting a National Tour is incredibly challenging, but so rewarding. Stepping on to the podium with a new orchestra every few weeks really keeps you on your...
Conducting a National Tour
By Danny Taylor "Conducting a National Tour is incredibly challenging, but so rewarding. Stepping on to the podium with a new orchestra every few weeks really keeps you on your...
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What it Takes to Live in New York City as a Pro...
By Ray Marchica "If you are passionate, driven, feel you have a calling, a burning desire to play, practice, perform, and record music that you can share with the world,...
What it Takes to Live in New York City as a Pro...
By Ray Marchica "If you are passionate, driven, feel you have a calling, a burning desire to play, practice, perform, and record music that you can share with the world,...
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On Being a 'Go-To' Drummer for Broadway
By Rich Rosenzweig "To be sure, a key component of being a solid Broadway drummer is versatility. It’s about knowing as many different styles as possible, and then being able...
On Being a 'Go-To' Drummer for Broadway
By Rich Rosenzweig "To be sure, a key component of being a solid Broadway drummer is versatility. It’s about knowing as many different styles as possible, and then being able...
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My Tuning Philosophy
By Sean McDaniel "I’ve experimented with the bottom heads being a tritone higher on certain gigs if the drums are bigger. At my current Broadway show, I’ve even had the...
My Tuning Philosophy
By Sean McDaniel "I’ve experimented with the bottom heads being a tritone higher on certain gigs if the drums are bigger. At my current Broadway show, I’ve even had the...
