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Tarzan - Rob Guilford

Rob Guilford's combined percussion setup for Tarzan at the White Plains Performing Arts Center in White Plains, New York.

Rob Guilford's combined percussion setup for Tarzan at the White Plains Performing Arts Center in White Plains, New York.Rob Guilford's combined percussion setup for Tarzan at the White Plains Performing Arts Center in White Plains, New York.Rob Guilford's combined percussion setup for Tarzan at the White Plains Performing Arts Center in White Plains, New York.Rob Guilford's combined percussion setup for Tarzan at the White Plains Performing Arts Center in White Plains, New York.Rob Guilford's combined percussion setup for Tarzan at the White Plains Performing Arts Center in White Plains, New York.

"The original instrumentation for Tarzan requires one drumset player and two percussionists. The Musical Director for this run decided to combine both percussion books, and this is the solution that I came up with. I wanted to get the setup as tight as possible so I decided to put the congas up on LP’s conga feet and the djembe up on Pearl’s All­-Fit stand. Getting around the drums couldn’t have been easier, and the sound guys loved it too!

The book that the MD arranged focused mainly on the hand drums and groove percussion, which led to some very fun opportunities for multitasking in order to cover all of the original parts. I used the LP Hi­-Hat Shekere/Tambourine to fill out the texture on numbers that originally featured shaker and congas/djembe, but I really needed both hands free to drum. The only big compromise that I had to make was on the djun djun, there was no room for one in the pit, but I was able to use a stick on the lowest conga to mimic it quite nicely.

Over on the left side, I’ve got the malletKAT and most of my 'orchestral' accessories. Space was very tight in the theater, so having the malletKAT for all of the mallet and timpani parts was a lifesaver. MainStage worked flawlessly throughout the entire run of the show and was very easy to set up with the malletKAT. As always, the two Miller Machines made short work out of the quick transitions in the book. All in all, this show was a ton of fun to play!"

Drums:

  • Freedom Drums 16” x 7” Talking Drum
  • LP Giovanni Requinto
  • LP Giovanni Quinto
  • Meinl Headliner Conga
  • Ludwig 13” Floor Tom
  • Ludwig and Leedy 10” x 26” Bass Drum
  • Toca Bongos
  • Wula 13” Select Piece Djembe

Accessories:

  • Cabello Caxixi
  • LP One Handed Triangle
  • LP Finger Shot
  • LP Granite Blocks
  • LP Shake-­It
  • LP Hi­-Hat Shekere
  • LP Hi-­Hat Tambourine
  • LP Jingle Qube
  • Miller Machine with Sabian Finger Cymbal
  • Miller Machine with Alan Abel 6” Triangle
  • Pearl Hex Ganza Shaker - Medium
  • Pearl UltraGrip Tambourine
  • RhythmTech Live Shaker
  • Sabian 19” Prototype Suspended Cymbal
  • Shakka Shakerz "Mini­-Z"
  • Spectrasound Mark Tree

Electronics:

  • Alternate Mode malletKAT Pro
  • Apple 15” MacBook Pro running MainStage 3
  • PreSonus FireBox 2x2 Audio Interface

Implements:

  • Vic Firth American Custom M3
  • Vic Firth TG04 Bass Drum Beaters
  • Vic Firth 7A Drumstick
  • Freedom Drums Talking Drum Beater
  • LP Standard Wooden Cowbell Beater
  • Stoessel 1⁄4” Triangle Beaters

Tarzan - Regional - Rob Guilford
January 2016

Rob Guilford's combined percussion setup for Tarzan at the White Plains Performing Arts Center in White Plains, New York.

Eric Poland's drum set setup for the Broadway revival of Nice Work If You Can Get It at the Imperial Theatre.
David Thalmann’s setup for Joseph and the Amazing Technicolor Dreamcoat at the Murray Arts Guild - Murray Park Amphitheater, in Murray, Utah.
Mike Drake's set up for Side Show at the Casa Mañana Theater, in Fort Worth, Texas.
  • 3 min read
"Thursday, February 16th, 2017 was a special day. I was both excited and nervous as I stepped into SIR Studios in Manhattan to start the first orchestra rehearsal for the Broadway production of Miss Saigon."
"When preparing a percussion book for a new Broadway show, we occasionally get the music in advance. That allows us to start our “treasure hunt” early, to have the right sounds ready, and to get a jump on the setup. But often, Broadway is the first appearance of the fully orchestrated show, and we have seen very little before the first rehearsal."
  • 5 min read
"The musical experience of recording a Broadway cast album ranges from easy to difficult depending on the circumstances. I find that the two factors that contribute most to the quality of the experience are: 1) how good the band is; and 2) how soon after you started the show you record the album"
  • 5 min read
Robbie Ameen's drum solo from the track "Spring Fling".

Gene Krupa's drum solo from "Gene's Blues" from the album Gene Krupa and Buddy Rich released November 1955.

Bill Stewart's drum solo from the title track of his album Snide Remarks.

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