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Tuck Everlasting - Jacob Bradshaw

Jacob Bradshaw’s combined book setup for Tuck Everlasting at Hale Center Theater in Sandy, Utah.

Jacob Bradshaw’s combined book setup for Tuck Everlasting at Hale Center Theater in Sandy, Utah.Jacob Bradshaw’s combined book setup for Tuck Everlasting at Hale Center Theater in Sandy, Utah.Jacob Bradshaw’s combined book setup for Tuck Everlasting at Hale Center Theater in Sandy, Utah.Jacob Bradshaw’s combined book setup for Tuck Everlasting at Hale Center Theater in Sandy, Utah.Jacob Bradshaw’s combined book setup for Tuck Everlasting at Hale Center Theater in Sandy, Utah.Jacob Bradshaw’s combined book setup for Tuck Everlasting at Hale Center Theater in Sandy, Utah.Jacob Bradshaw’s combined book setup for Tuck Everlasting at Hale Center Theater in Sandy, Utah.Jacob Bradshaw’s combined book setup for Tuck Everlasting at Hale Center Theater in Sandy, Utah.Jacob Bradshaw’s combined book setup for Tuck Everlasting at Hale Center Theater in Sandy, Utah.

"Tuck Everlasting is an amazing show that utilizes several musical styles. I combined the percussion and drum-set book, which was quite the undertaking."

Drums: Yamaha Birch Stage Custom

  • 20" Kick with Remo Powerstroke 3
  • 10", 12", 14", 16" Toms with Remo Coated Ambassadors
  • 14" Snare with Remo Coated Ambassador

Cymbals:

  • Instanbul 14" Agop Xist Hi Hats
  • Zildjian 8" A Splash
  • Impression 18" Hybrid Crash
  • Dream Bliss 22" Ride
  • Zildjian 16" K Session Crash
  • Wuhan 10" Mini China

Accessories:

  • AA Meinl Doumbek
  • African Djembe
  • AA Meinl Black Cowbell (with a Moongel inside)
  • LP Finger Jingle
  • LP One-Shot Finger Shaker (I use with hand drums for a few charts)
  • Jingle Ring on Hi Hat (like a naughty saucer)
  • AA Tambourine attached to Hi Hat
  • LP One Shot Shakers
  • AA Shaker (pear shaped, looks cheap, sounds great)
  • LP Blue Jam Block
  • TreeWorks Tre23 Classic Chimes
  • Miller Machine with Black Swamp Triangle
  • Miller Machine with Finger Cymbal

Electronics:

  • Roland SPD-SX - 27 pages of sounds (I recorded bits from the percussion book and triggered on the SPD)

Tuck Everlasting - Regional - Jacob Bradshaw
April 2018

Jacob Bradshaw’s combined book setup for Tuck Everlasting at Hale Center Theater in Sandy, Utah.

Sal Mazzotta's setup for the World Premiere of Here You Come Again, a new Dolly Parton Musical, at the Delaware Theatre Company, in Wilmington, Delaware.
Andrew Warren's setup for Head Over Heels at the Gateway Playhouse in Bellport, New York.
Paul Pizzuti's drum set setup for the 2014 recording session of NBC’s Peter Pan Live at Avatar Studios in New York City.
  • 1 min read
"It hasn’t always been easy (and it’s certainly very odd right now!) but personally I’ve always enjoyed the challenge. I’ve heard a few things along the way that have informed how I’ve thought about New York City and the idea of 'making it'”.
  • 5 min read
"The musical experience of recording a Broadway cast album ranges from easy to difficult depending on the circumstances. I find that the two factors that contribute most to the quality of the experience are: 1) how good the band is; and 2) how soon after you started the show you record the album"
  • 5 min read
"When I was preparing to conductNice Work if You Can Get It, I began by watching a video of the conductor and marking my score with any cues or beat patterns that were not obvious to me. I wanted to be completely comfortable with the Musical Directors choreography before watching the video of the stage and trying to put the music to the action of the actors and dancers."
Bill Stewart's drum solo from the title track of his album Snide Remarks.
Robbie Ameen's drum solo from the track "Spring Fling".
Steve Jordan's drum solo from the title track of the album Casa Loco.

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