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Allegiance - Joe Mowatt

Joe Mowatt's setup for the Broadway production of Allegiance at the Longacre Theatre.

Joe Mowatt's setup for the Broadway production of Allegiance at the Longacre Theatre.Joe Mowatt's setup for the Broadway production of Allegiance at the Longacre Theatre.Joe Mowatt's setup for the Broadway production of Allegiance at the Longacre Theatre.Joe Mowatt's setup for the Broadway production of Allegiance at the Longacre Theatre.Joe Mowatt's setup for the Broadway production of Allegiance at the Longacre Theatre.Joe Mowatt's setup for the Broadway production of Allegiance at the Longacre Theatre.Joe Mowatt's setup for the Broadway production of Allegiance at the Longacre Theatre.Joe Mowatt's setup for the Broadway production of Allegiance at the Longacre Theatre.Joe Mowatt's setup for the Broadway production of Allegiance at the Longacre Theatre.Joe Mowatt's setup for the Broadway production of Allegiance at the Longacre Theatre.Joe Mowatt's setup for the Broadway production of Allegiance at the Longacre Theatre.Joe Mowatt's setup for the Broadway production of Allegiance at the Longacre Theatre.Joe Mowatt's setup for the Broadway production of Allegiance at the Longacre Theatre.Joe Mowatt's setup for the Broadway production of Allegiance at the Longacre Theatre.Joe Mowatt's setup for the Broadway production of Allegiance at the Longacre Theatre.Joe Mowatt's setup for the Broadway production of Allegiance at the Longacre Theatre.

"Photos below from the recording session at MSR Studios on December 7, 2015."

Joe Mowatt's setup for the Broadway production of Allegiance at the Longacre Theatre.Joe Mowatt's setup for the Broadway production of Allegiance at the Longacre Theatre.

"Allegiance takes place during World War II and follows a Japanese American family from their home in rural Northern California to an internment camp in Wyoming. The music in the show was written and orchestrated to capture the Japanese heritage of the Kimura family as well as the period styles of big band swing, and more classic musical theatre styles.

Since we had a severe space restriction in the remote drum room (8’ X 8’), the instruments were carefully chosen to utilize the space most efficiently. I had the pleasure to visit Steve Weiss Music in Willow Grove, Pennsylvania to hand pick the gongs, the Chinese tom and the piccolo wood blocks. The larger instruments were rented from Eric Poland, who supplies percussion instruments to many Broadway shows. I supplied the drum set and smaller percussion.

There were many discussions about the use of Taiko sounds for some of the more tumultuous moments in the show, including one battle scene during the war. Due to the space limitations, we used a combination of Taiko samples in the Roland SPDX and sequences that were triggered by the conductor. Both were programmed by Randy Cohen Keyboards. During one brief 8 measure scene, I play the concert bass drum with taiko sticks, playing the head and rim similar to a taiko drum. We combined this with taiko samples triggered by the Roland KT-10 pedal.

Allegiance was a challenging and very busy book, and I am very grateful to have been a part of this important show."

Drums: Yamaha Beech Custom

  • 20” X 16” Kick
  • 12” X 8” Rack Tom
  • 14” X 14” Floor Tom
  • 16” X 16” Floor Tom

Snare:

  • 14” X 5.5” Yamaha Maple Custom Absolute

Drum Heads: Remo

  • Kick: Powerstroke 3 Batter and Powerstroke 3 Ebony Resonant
  • Toms: Ambassador X Batter and Ambassador Clear Resonant
  • Snare: Coated Ambassador Batter and Hazy Ambassador Snare Side

Cymbals:

  • Sabian 20” Medium Artisan Ride
  • Sabian 14” Medium Artisan Hi-Hats
  • Sabian 18” Artisan Crash
  • Sabian 16” Artisan Crash
  • Sabian 10” Legacy Splash
  • Zildjian 18” China Boy Low

Electronics:

  • Roland SPDX-SX Sampling Pad
  • Roland KT-10 Kick Trigger Pedal
  • Roland BT-1 Bar Trigger Pad

Hardware:

  • Yamaha 700 Series Stands and Cymbal Holders
  • Pearl P2000C Eliminator Chain Drive Bass Drum Pedal
  • Roc-n-Soc Nitro Throne w/Backrest
  • RhythmTech Mountable Gig Tray (2)
  • Pearl Trap Table (2)
  • Meinl Gong Stand
  • Cannon Wind Gong Adaptor

Percussion:

  • Ludwig 28” X 14” Concert Bass Drum
  • Yamaha/Deagan Orchestra Bells
  • Zildjian Crotales
  • Steve Weiss 28” Chau Gong
  • Steve Weiss 22” Wind Gong
  • Steve Weiss Chinese Tom Tom
  • Pearl Shime Daiko
  • Sabian 5” Hand Hammered Triangle
  • Imported Finger Cymbals (Pair)
  • Imported Tingsha (Pair)
  • Japanese Piccolo Wood Blocks (2)
  • Miller Machines (2)
  • Toca Temple Blocks (2)
  • Pearl Wood Blocks (2)
  • Temple Bowls (3)
  • Meinl Bell Tree
  • LP Ice Bell
  • Indian Bells

Sticks and Mallets:

  • Vic Firth AS5A American Sound 5A Round Tip Drumsticks (some with moleskin on ends)
  • Vic Firth 5ADT 5A Dual-Tone
  • Innovative Percussion IP-5AM Multi-Stick
  • Regal Tip 596R Jeff Hamilton Brushes
  • Innovative Percussion BR-1 Retractable Nylon Brushes - Light
  • Vic Firth/Tom Gauger TG04 Bass Drum Rollers
  • Encore/Al Payson B1 Sostenuto Brown Bass Drum Mallet
  • Innovative Percussion GS-1 Global Series Beaters / Large (for Taiko drum)
  • Grover Pro Alloy 303 Red Triangle Beater
  • Malletech OR42R Orchestra Bell Mallets
  • Mike Balter 9AR Aluminum Bell Tree Mallets
  • Musser M213 Medium Hard Blue Rubber Mallets (for temple bowls & temple blocks)
  • Ron Vaughn PBM-1B High Density Piccolo Block Mallets - Birch Handles

In Ear Monitors:

  • Shure SE535

Allegiance - Broadway - Joe Mowatt
December 2015

Joe Mowatt's setup for the Broadway production of Allegiance at the Longacre Theatre.

"Conducting a National Tour is incredibly challenging, but so rewarding. Stepping on to the podium with a new orchestra every few weeks really keeps you on your toes. Every player responds differently so you are constantly adjusting to get the desired result. I would compare it to playing a multi-percussion piece where the instruments are constantly moving."
"After a grueling four years at SUNY I still had one theory class left to finish. I was really depressed. A classmate of mine recommended me for a tour of a Broadway show. This completely changed the course of my life."
"When I first got the call to start working on Ain’t Too Proud - The Life And Times Of The Temptations, I was curious about which era the show was going to focus on. Their career began in the early 1960’s and they’re still releasing albums today."
"The timpani tunings are the real challenge of The Little Mermaid. Changing pitches must be done by feel, that was my biggest challenge. Memorizing the mallet parts was also very necessary."
"As you can see in the pictures, I prefer to have as much 'stuff' right in front of me, as close as possible. Because there are so many instruments close in, I have mounted a music stand off of the tom mount.
"Different from the tour, the original Broadway production had acoustic drums, an acoustic set of timbales, and an acoustic tambourine - the tambourine is now programmed in the SPD-SX."
  • 2 min read

Gene Krupa's drum solo from "Gene's Blues" from the album Gene Krupa and Buddy Rich released November 1955.

Steve Jordan's drum solo from the title track of the album Casa Loco.
Robbie Ameen's drum solo from the track "Spring Fling".

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