Beauty and the Beast - Angel Williams

Triangle

Finger Cymbal

Triangle Plus

Horizontal

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Triangle Arm

Body

Finger Cym Arm

Plus Body

Horizontal Mount

All pieces interchangeable. Mix and match.

Beater Upgrade Kit

Extra Plastic Ties

Finger Cymbal Mount

Triangle Suspension Mount

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Photo of Miller Machine Trucker Cap in brown, with gold embroidery.

Brown/Gold

Long Sleeve

Grey/Black

Short Sleeve

Photo of Miller Machine 5 panel trucker cap with a Flaming M in red and yellow. Cap is a grey color.

Grey/Red

Long Sleeve

1 min read

Angel Williams’ percussion setup for the Herriman Arts Councils production of Beauty and the Beast in Herriman, Utah.

Photo below: "Percussion crash bucket with pipe for Maurice's machine 'Crash go Boom'".

Angel Williams’ percussion setup for the Herriman Arts Councils production of Beauty and the Beast in Herriman, Utah.

"The setup is simple with a few added things for Sound Effects in the show.

No room for a marimba or chimes so I used a xylophone with mallets played an octave lower for the marimba and chime notes. Crotales were played on a Wurlitzer 1919 Concert Bells.

Miller Machine made quick changes easy!”

Instrumentation:

Timpani 26" and 29"
Xylophone
Vibraphone
Concert Bells
Piatti
Gong
Suspended Cymbals (15" Dark Crash)
Suspended Cymbals (18" Thin Crash)
Temple Blocks
Grover Tambourine
Grover Triangle
Grover Woodblock
Miller Machine with Alan Abel triangle
TreeWorks Wind Chimes
Bell Tree
Sleigh Bells
Castanets
Ratchet
Vic Firth Pop Gun

“Sounds effects added: Slide Whistle, Zil-Bel for spitoon sound, Cowbell for Maurice's machine, percussion crash bucket with pipe for Maurice's machine 'Crash go Boom’”.

Beauty And The Beast - Regional - Angel Williams
July 2015

Angel Williams’ percussion setup for the Herriman Arts Councils production of Beauty and the Beast in Herriman, Utah.

Conducting a National Tour by Danny Taylor

"Conducting a National Tour is incredibly challenging, but so rewarding. Stepping on to the podium with a new orchestra every few weeks really keeps you on your toes. Every player responds differently so you are constantly adjusting to get the desired result. I would compare it to playing a multi-percussion piece where the instruments are constantly moving."

5 min read

Reporting from the Broadway Trenches by Jon Berger

"After a grueling four years at SUNY I still had one theory class left to finish. I was really depressed. A classmate of mine recommended me for a tour of a Broadway show. This completely changed the course of my life."

7 min read

Drumming for "Ain’t Too Proud" by Clayton Craddock

"When I first got the call to start working on Ain’t Too Proud - The Life And Times Of The Temptations, I was curious about which era the show was going to focus on. Their career began in the early 1960’s and they’re still releasing albums today."