Dreamgirls - Jim Reif - The Miller Machine

Updated Finger Cymbal Machine - Easy On/Off

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Triangle Arm

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Jim Reif’s drum set setup for Dreamgirls at the Village Theater in Seattle, Washington.

Jim's write-up below photos.

Jim Reif’s drum set setup for Dreamgirls at the Village Theater in Seattle, Washington.

"I’m having a blast playing this show. It is mostly non-stop Motown R&B, Disco and ballads. One thing that is key is the hi-hat work. A great sounding set of hats is important. This show has tons of 16th note hi-hat at various tempos. In the first act there are numerous numbers that are connected with a 16th note hi-hat pattern as underscore.

The fun never stops and the train keeps on moving."

Drums:

DW PDP 10” Maple Rack Tom
DW PDP 12” Maple Rack Tom
DW PDP 14" Maple Floor Tom
DW PDP 16" Maple Floor Tom
DW PDP 22" Maple Kick
Ludwig 6-1/2” X 14" Snare

Cymbals:

Sabian 20" HH Ride
Sabian 16" HH Crash
Sabian 16" HH Crash
Sabian 18" HH Crash
Sabian 14" Medium Hi-Hats
Paiste 14" Signature Fast Crash

Pedals:

Tama Iron Cobra Hi-Hat Stand
DW 9000 Kick Pedal (I modified this pedal - I removed the stock footboard and installed a DW 8000 longboard)

Percussion:

LP Cowbell
LP Bongos
Timbales

Dreamgirls - Regional - Jim Reif
June 2017

Jim Reif’s drum set setup for Dreamgirls at the Village Theater in Seattle, Washington.

Nice Work If You Can Get It - Eric Poland

Eric Poland's drum set setup for the Broadway revival of Nice Work If You Can Get It at the Imperial Theatre.

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Joseph and the Amazing Technicolor Dreamcoat - David Thalmann

David Thalmann’s setup for Joseph and the Amazing Technicolor Dreamcoat at the Murray Arts Guild - Murray Park Amphitheater, in Murray, Utah.

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Side Show - Mike Drake

Mike Drake's set up for Side Show at the Casa Mañana Theater, in Fort Worth, Texas.

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"My Way to Broadway" by Chihiro Shibayama

"Thursday, February 16th, 2017 was a special day. I was both excited and nervous as I stepped into SIR Studios in Manhattan to start the first orchestra rehearsal for the Broadway production of Miss Saigon."

7 min read

"Setting Up a New Broadway Percussion Book" by Bill Hayes

"When preparing a percussion book for a new Broadway show, we occasionally get the music in advance. That allows us to start our “treasure hunt” early, to have the right sounds ready, and to get a jump on the setup. But often, Broadway is the first appearance of the fully orchestrated show, and we have seen very little before the first rehearsal."

5 min read

"My Experiences Recording a Broadway Cast Album" by Jared Schonig

"The musical experience of recording a Broadway cast album ranges from easy to difficult depending on the circumstances. I find that the two factors that contribute most to the quality of the experience are: 1) how good the band is; and 2) how soon after you started the show you record the album"