How the Grinch Stole Christmas - Greg Landes

1 min read

Greg Landes' drum set setup for the Madison Square Garden production of Dr Seuss' How the Grinch Stole Christmas.

"In 2014 Dr. Seuss' How The Grinch Stole Christmas returned to The Theatre at Madison Square Garden for its second holiday run at the iconic venue. The show spent three weeks prior to its New York City run in Chicago at the famed Chicago Theatre.

My setup stayed unchanged from prior years and my three Miller Machines continued to enable me to navigate the tricky orchestrations by Michael Starobin with greater ease."

Greg endorses both Paiste Cymbals, and Innovative Percussion Sticks and Mallets.

How the Grinch Stole Christmas - Madison Square Garden - Greg Landes
December 2014

Greg Landes' drum set setup for the Madison Square Garden production of Dr Seuss' How the Grinch Stole Christmas.

Articles

Conducting a National Tour by Danny Taylor

"Conducting a National Tour is incredibly challenging, but so rewarding. Stepping on to the podium with a new orchestra every few weeks really keeps you on your toes. Every player responds differently so you are constantly adjusting to get the desired result. I would compare it to playing a multi-percussion piece where the instruments are constantly moving."

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More Setups

Mean Girls - Ron Grassi

Ron Grassi's drum set setup for Mean Girls at Archbishop Performing Arts, in Warminster, Pennsylvania.

1 min read

Keith Wilson's percussion setup for Mean Girls at Archbishop Wood Performing Arts, in Warminster, Pennsylvania.

Mean Girls - Keith Wilson

"The main challenge that I found with this show was the very quick instrument and stick changes. Having a good pair of swizzle sticks is necessary to go from tambourine to timpani and sometimes rolls on the concert bass drum."

2 min read

Dave Roth's percussion setup for the Broadway production of Back to the Future at the Winter Garden Theater in New York City.

Back To The Future - Dave Roth

"The real impetus of this book is the timpani. It is definitely the driving force for the percussion inBack to the Future and it requires a big articulate sound and once again Yamaha with the Evans Orchestral White Opaque Heads just deliver."