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How the Grinch Stole Christmas - Greg Landes

Greg Landes' drum set setup for the Madison Square Garden production of Dr Seuss' How the Grinch Stole Christmas.

Greg Landes' drum set setup for the Madison Square Garden production of Dr Seuss' How the Grinch Stole Christmas.Greg Landes' drum set setup for the Madison Square Garden production of Dr Seuss' How the Grinch Stole Christmas.Greg Landes' drum set setup for the Madison Square Garden production of Dr Seuss' How the Grinch Stole Christmas.Greg Landes' drum set setup for the Madison Square Garden production of Dr Seuss' How the Grinch Stole Christmas.Greg Landes' drum set setup for the Madison Square Garden production of Dr Seuss' How the Grinch Stole Christmas.Greg Landes' drum set setup for the Madison Square Garden production of Dr Seuss' How the Grinch Stole Christmas.Greg Landes' drum set setup for the Madison Square Garden production of Dr Seuss' How the Grinch Stole Christmas.Greg Landes' drum set setup for the Madison Square Garden production of Dr Seuss' How the Grinch Stole Christmas.Greg Landes' drum set setup for the Madison Square Garden production of Dr Seuss' How the Grinch Stole Christmas.

"In 2014 Dr. Seuss' How The Grinch Stole Christmas returned to The Theatre at Madison Square Garden for its second holiday run at the iconic venue. The show spent three weeks prior to its New York City run in Chicago at the famed Chicago Theatre.

My setup stayed unchanged from prior years and my three Miller Machines continued to enable me to navigate the tricky orchestrations by Michael Starobin with greater ease."

Greg endorses both Paiste Cymbals, and Innovative Percussion Sticks and Mallets.

How the Grinch Stole Christmas - Madison Square Garden - Greg Landes
December 2014

Greg Landes' drum set setup for the Madison Square Garden production of Dr Seuss' How the Grinch Stole Christmas.

"Conducting a National Tour is incredibly challenging, but so rewarding. Stepping on to the podium with a new orchestra every few weeks really keeps you on your toes. Every player responds differently so you are constantly adjusting to get the desired result. I would compare it to playing a multi-percussion piece where the instruments are constantly moving."
"After a grueling four years at SUNY I still had one theory class left to finish. I was really depressed. A classmate of mine recommended me for a tour of a Broadway show. This completely changed the course of my life."
"When I first got the call to start working on Ain’t Too Proud - The Life And Times Of The Temptations, I was curious about which era the show was going to focus on. Their career began in the early 1960’s and they’re still releasing albums today."

Ron Grassi's drum set setup for Mean Girls at Archbishop Performing Arts, in Warminster, Pennsylvania.

"The main challenge that I found with this show was the very quick instrument and stick changes. Having a good pair of swizzle sticks is necessary to go from tambourine to timpani and sometimes rolls on the concert bass drum."
"The real impetus of this book is the timpani. It is definitely the driving force for the percussion inBack to the Future and it requires a big articulate sound and once again Yamaha with the Evans Orchestral White Opaque Heads just deliver."

Gene Krupa's drum solo from "Gene's Blues" from the album Gene Krupa and Buddy Rich released November 1955.

Steve Jordan's drum solo from the title track of the album Casa Loco.
Robbie Ameen's drum solo from the track "Spring Fling".

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