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How to Succeed in Business Without Really Trying - Paul Hansen

Paul Hansen’s percussion setup for How to Succeed in Business Without Really Trying at the 5th Avenue Theatre in Seattle, Washington.

Paul's write-up below photos.

Paul Hansen’s percussion setup for How to Succeed in Business Without Really Trying at the 5th Avenue Theatre in Seattle, Washington.Paul Hansen’s percussion setup for How to Succeed in Business Without Really Trying at the 5th Avenue Theatre in Seattle, Washington.Paul Hansen’s percussion setup for How to Succeed in Business Without Really Trying at the 5th Avenue Theatre in Seattle, Washington.Paul Hansen’s percussion setup for How to Succeed in Business Without Really Trying at the 5th Avenue Theatre in Seattle, Washington.Paul Hansen’s percussion setup for How to Succeed in Business Without Really Trying at the 5th Avenue Theatre in Seattle, Washington.Paul Hansen’s percussion setup for How to Succeed in Business Without Really Trying at the 5th Avenue Theatre in Seattle, Washington.Paul Hansen’s percussion setup for How to Succeed in Business Without Really Trying at the 5th Avenue Theatre in Seattle, Washington.Paul Hansen’s percussion setup for How to Succeed in Business Without Really Trying at the 5th Avenue Theatre in Seattle, Washington.Paul Hansen’s percussion setup for How to Succeed in Business Without Really Trying at the 5th Avenue Theatre in Seattle, Washington.Paul Hansen’s percussion setup for How to Succeed in Business Without Really Trying at the 5th Avenue Theatre in Seattle, Washington.Paul Hansen’s percussion setup for How to Succeed in Business Without Really Trying at the 5th Avenue Theatre in Seattle, Washington.

“Here's my rig for the 5th Avenue's new production of How to Succeed in Business Without Really Trying, with a new full orchestration by Bruce Monroe. Bruce has tailored many orchestrations for us, and as a percussionist he knows exactly how to load up the books for me, and then lets me add my own twists for the final version.

Beginning with my usual standard layout (Timps left, Xylo and Glock stacked over Vibes), I used the orchestra pit cable rail as a handy guiro and triangle stand. Gran Cassa is hung from the stage extension. The famous kazoo part was moved from the reed section to me for this version. Small plastic 'party favor' kazoos (as opposed to the standard metal model usually seen) simulate the singing electric razor perfectly."

Paul Hansen has been active as one of the top percussionists in Seattle's music and theater circles for 40 years, with over 150 musicals to his credit, including the World Premiere engagements of Hairspray, Shrek, Young Frankenstein, Catch Me If You Can, and A Christmas Story.

As a concert musician he performs regularly with the Seattle Symphony Orchestra, the Pacific Northwest Ballet, and Auburn Symphony, and is a proud member of the Harry Partch Ensemble, based in Seattle.

Paul also serves as Managing Editor for Sheet Music Now, and is co-founder of the Pacific Rims Percussion Quartet.

Paul is also an Innovative Percussion Artist.

How to Succeed in Business Without Really Trying - Regional - Paul Hansen
February 2016

Paul Hansen’s percussion setup for How to Succeed in Business Without Really Trying at the 5th Avenue Theatre in Seattle, Washington.
Eric Poland's drum set setup for the Broadway revival of Nice Work If You Can Get It at the Imperial Theatre.
David Thalmann’s setup for Joseph and the Amazing Technicolor Dreamcoat at the Murray Arts Guild - Murray Park Amphitheater, in Murray, Utah.
Mike Drake's set up for Side Show at the Casa Mañana Theater, in Fort Worth, Texas.
  • 3 min read
"Thursday, February 16th, 2017 was a special day. I was both excited and nervous as I stepped into SIR Studios in Manhattan to start the first orchestra rehearsal for the Broadway production of Miss Saigon."
"When preparing a percussion book for a new Broadway show, we occasionally get the music in advance. That allows us to start our “treasure hunt” early, to have the right sounds ready, and to get a jump on the setup. But often, Broadway is the first appearance of the fully orchestrated show, and we have seen very little before the first rehearsal."
  • 5 min read
"The musical experience of recording a Broadway cast album ranges from easy to difficult depending on the circumstances. I find that the two factors that contribute most to the quality of the experience are: 1) how good the band is; and 2) how soon after you started the show you record the album"
  • 5 min read
Robbie Ameen's drum solo from the track "Spring Fling".

Gene Krupa's drum solo from "Gene's Blues" from the album Gene Krupa and Buddy Rich released November 1955.

Bill Stewart's drum solo from the title track of his album Snide Remarks.

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