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Kinky Boots - Sammy Merendino

Sammy Merendino's setup for the Broadway production of Kinky Boots at the Al Hirschfeld Theatre.

Sammy's write-up and gear list below photos.

Sammy Merendino's setup for the Broadway production of Kinky Boots at the Al Hirschfeld Theatre.Sammy Merendino's setup for the Broadway production of Kinky Boots at the Al Hirschfeld Theatre.Sammy Merendino's setup for the Broadway production of Kinky Boots at the Al Hirschfeld Theatre.Sammy Merendino's setup for the Broadway production of Kinky Boots at the Al Hirschfeld Theatre.Sammy Merendino's setup for the Broadway production of Kinky Boots at the Al Hirschfeld Theatre.Sammy Merendino's setup for the Broadway production of Kinky Boots at the Al Hirschfeld Theatre.Sammy Merendino's setup for the Broadway production of Kinky Boots at the Al Hirschfeld Theatre.Sammy Merendino's setup for the Broadway production of Kinky Boots at the Al Hirschfeld Theatre.Sammy Merendino's setup for the Broadway production of Kinky Boots at the Al Hirschfeld Theatre.Sammy Merendino's setup for the Broadway production of Kinky Boots at the Al Hirschfeld Theatre.Sammy Merendino's setup for the Broadway production of Kinky Boots at the Al Hirschfeld Theatre.Sammy Merendino's setup for the Broadway production of Kinky Boots at the Al Hirschfeld Theatre.Sammy Merendino's setup for the Broadway production of Kinky Boots at the Al Hirschfeld Theatre.Sammy Merendino's setup for the Broadway production of Kinky Boots at the Al Hirschfeld Theatre.Sammy Merendino's setup for the Broadway production of Kinky Boots at the Al Hirschfeld Theatre.Sammy Merendino's setup for the Broadway production of Kinky Boots at the Al Hirschfeld Theatre.

“This kit evolved over nine months during rehearsals and previews. I am responsible for running the click and backing sequences (percussion, arpeggiators, effects, etc).

The bulk of the show is played on my Sonor Kit, but I need to be able to switch quickly between acoustic and electronic. The electronic kick pedals are located to the right of my acoustic kick. I can turn slightly to my left to play the Roland V-Drums while still in position to play acoustic drums. There are various pedals on the ground to allow me to trigger sounds and/or click tracks with my heels. Other loops (located within Ableton Live) are triggered via a Roland SPD-SX Sample Pad.

My drum booth is on the 5th floor of the theater (100 steps) and the rest of the band is in the pit. I have a conductor and stage monitor to take cues from and the conductor has a ‘Sam Cam’ so he can see me.”

Drums: Sonor ProLite

  • 22"x17" Bass Drum (Evans EQ3 Batter, Front head removed)
  • 12"x8" Rack Tom (Evans Onyx top, Clear G1 bottom)
  • 15"x15" Floor Tom (Evans Onyx top, Clear G1 bottom)
  • 18"x16" Floor Tom (Evans Onyx top, Clear G1 bottom)

Snare:

  • Sonor 14"x6" Artist Bronze Series Snare (Evans EC1 Reverse Dot top, Hazy 300 bottom)

Hardware:

  • Sonor Giant Step Double Pedal
  • Porter & Davies BC Gigster Throne and Engine
  • Auralex HoverMat
  • Kelly SHU Kick-Miking System
  • Snare Weight and Drum Wallet Mufflers
  • DrumDial Drum Tuner
  • GK Isolation Headphones
  • Kitchen Sink

Cymbals: Paiste

  • 15" 602 Medium Hats
  • 19" Signature Full Crash
  • 20" Signature Full Crash
  • 22" Dark Energy Ride Mark II with 2 Brass Rivets
  • 20" Rude Novo China

Electronics:

  • Roland TD-30 V-Drums
  • Roland SPD-SX Sample Pad
  • Apple Mac Mini and two RME Fireface interfaces and Ableton Live software
  • Radial SW8 Backing-Track Auto-Switcher
  • Roland KT10 Kick Pedal
  • Custom M.A.R.C. Footswitch Triggers (courtesy of Vincent Gutman)
  • Miktek and Neumann Mics
  • Drum Tech Pole Pad Pro

Percussion:

  • Grover Spectrasound Mark Tree
  • RhythmTech Tambourine

Sticks:

  • Vic Firth 3A drumsticks
  • Various Mallets

Sammy is a proud endorser of Sonor Drums, Paiste Cymbals, Vic Firth Sticks, Evans Drumheads, Porter and Davies, Miktek Audio, Roland US, Auralex, Kelly SHU Kick-Miking System, Snareweight, Drum Wallet, DrumDial Drum Tuner, Drum-Tec, and Prologix Practice Pads.

Kinky Boots - Broadway - Sammy Merendino
April 2013 thru April 2019

Sammy Merendino's setup for the Broadway production of Kinky Boots at the Al Hirschfeld Theatre.

"Conducting a National Tour is incredibly challenging, but so rewarding. Stepping on to the podium with a new orchestra every few weeks really keeps you on your toes. Every player responds differently so you are constantly adjusting to get the desired result. I would compare it to playing a multi-percussion piece where the instruments are constantly moving."
"After a grueling four years at SUNY I still had one theory class left to finish. I was really depressed. A classmate of mine recommended me for a tour of a Broadway show. This completely changed the course of my life."
"When I first got the call to start working on Ain’t Too Proud - The Life And Times Of The Temptations, I was curious about which era the show was going to focus on. Their career began in the early 1960’s and they’re still releasing albums today."
Alec Wilmart's drum set setup for West Side Story at the 5th Avenue Theatre in Seattle, Washington.
Eric Poland's drum set setup for the Broadway revival of Annie at the Palace Theatre.
  • 1 min read
Mario DeCiutiis, Dave Roth, and Matt Beaumont’s percussion setup for the Radio City Christmas Spectacular in New York City.

Gene Krupa's drum solo from "Gene's Blues" from the album Gene Krupa and Buddy Rich released November 1955.

Steve Jordan's drum solo from the title track of the album Casa Loco.
Robbie Ameen's drum solo from the track "Spring Fling".

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