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Lion King - Carter McLean

Carter McLean’s drum set setup for the Broadway production of Lion King currently running at the Minskoff Theatre.

Carter McLean’s drum set setup for the Broadway production of Lion King currently running at the Minskoff Theatre.Carter McLean’s drum set setup for the Broadway production of Lion King currently running at the Minskoff Theatre.Carter McLean’s drum set setup for the Broadway production of Lion King currently running at the Minskoff Theatre.Carter McLean’s drum set setup for the Broadway production of Lion King currently running at the Minskoff Theatre.Carter McLean’s drum set setup for the Broadway production of Lion King currently running at the Minskoff Theatre.Carter McLean’s drum set setup for the Broadway production of Lion King currently running at the Minskoff Theatre.Carter McLean’s drum set setup for the Broadway production of Lion King currently running at the Minskoff Theatre.Carter McLean’s drum set setup for the Broadway production of Lion King currently running at the Minskoff Theatre.Carter McLean’s drum set setup for the Broadway production of Lion King currently running at the Minskoff Theatre.Carter McLean’s drum set setup for the Broadway production of Lion King currently running at the Minskoff Theatre.Carter McLean’s drum set setup for the Broadway production of Lion King currently running at the Minskoff Theatre.Carter McLean’s drum set setup for the Broadway production of Lion King currently running at the Minskoff Theatre.Carter McLean’s drum set setup for the Broadway production of Lion King currently running at the Minskoff Theatre.Carter McLean’s drum set setup for the Broadway production of Lion King currently running at the Minskoff Theatre.Carter McLean’s drum set setup for the Broadway production of Lion King currently running at the Minskoff Theatre.

Lion King is a really demanding book technically but it is also really fun to play. It has a lot of Peter Gabriel type ‘In Your Eyes’ grooves and some Steve Gadd types of patterns. A few sections are great for keeping your hands up to speed. One song, ‘Can’t Wait To Be King’ has a Medium/Up Tempo Shuffle in the left hand on snare while playing up beats on the floor tom with the right hand.

The best part of this show is all the styles you get to play. It has an African/Pop core and then branches off to Rock, Latin, R&B Ballads, and Big Drum breaks.

I use the Roland SPD-30 Octapad to trigger orchestral crash's, woodblock effects, an Electronic 808 dance type of kit, plus a remote Roland V-Drum Pad above the hi hat for tambourine and other effects during the show.

I can’t say enough about the snare I’m using at the show. Ronn Dunnett makes my drums and that one is 6.5"x14" Stainless Steel with Die Cast Hoops. He makes unbelievably versatile instruments and also complete drum sets now with George Way drums. He makes the best drums I have ever played and I proudly endorse Dunnett/George Way drums. I'm trying to get a new set in the theatre to replace the DW's."

Drums: DW Maple

  • 22" Bass Drum
  • 10" Small Tom
  • 12” Small Tom
  • 14” Floor Tom
  • 16” Floor Tom
  • Remo Clear Vintage Emperors on Toms, Coated CS Dot on Snare, Clear Powerstroke 3 on Kick

Snare:

  • Dunnett 6.5"x14" Stainless Steel with Die Cast Hoops

Cymbals: Zildjian (left to right)

  • 15" K Prototype Hats
  • 19" Constantinople Crash/Ride
  • 9" Oriental Splash
  • 21" Dark Complex Dry Ride 
  • 20" K China 
  • 22" K China

Percussion:

  • 12" Palongo Hand Drum from Ghana
  • LP Granite Blocks
  • Triangle 
  • Shakers 
  • Caxixi
  • 26" DW Orchestral Bass Drum

Electronics:

  • Roland SPD-30 Octapad
  • Roland V-Drum Pad

Sticks: Vic Firth

  • 3A American Classic Drumsticks
  • Rute 202
  • Rute 505
  • 5A Dual Tone

"I also endorse Earthworks Mics, and Westone In-Ear Monitors which are both unbelievable companies. Amazing stuff. I’m also a very proud Zildjian artist. The people at Zildjian are world class individuals and Paul Francis is a true craftsman."

Lion King - Broadway - Carter McLean
December 2014

Carter McLean’s drum set setup for the Broadway production of Lion King currently running at the Minskoff Theatre.

"Conducting a National Tour is incredibly challenging, but so rewarding. Stepping on to the podium with a new orchestra every few weeks really keeps you on your toes. Every player responds differently so you are constantly adjusting to get the desired result. I would compare it to playing a multi-percussion piece where the instruments are constantly moving."
"After a grueling four years at SUNY I still had one theory class left to finish. I was really depressed. A classmate of mine recommended me for a tour of a Broadway show. This completely changed the course of my life."
"When I first got the call to start working on Ain’t Too Proud - The Life And Times Of The Temptations, I was curious about which era the show was going to focus on. Their career began in the early 1960’s and they’re still releasing albums today."
"The timpani tunings are the real challenge of The Little Mermaid. Changing pitches must be done by feel, that was my biggest challenge. Memorizing the mallet parts was also very necessary."
"As you can see in the pictures, I prefer to have as much 'stuff' right in front of me, as close as possible. Because there are so many instruments close in, I have mounted a music stand off of the tom mount.
"Different from the tour, the original Broadway production had acoustic drums, an acoustic set of timbales, and an acoustic tambourine - the tambourine is now programmed in the SPD-SX."
  • 2 min read

Gene Krupa's drum solo from "Gene's Blues" from the album Gene Krupa and Buddy Rich released November 1955.

Steve Jordan's drum solo from the title track of the album Casa Loco.
Robbie Ameen's drum solo from the track "Spring Fling".

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