Pageant - Scot Sexton

Scot Sexton’s setup for Pageant: The Musical Comedy Beauty Competition at ACT Theatre in Seattle, Washington.

Read Scot's write-up about the show, below the photos.

Scot Sexton’s setup for Pageant: The Musical Comedy Beauty Competition at ACT Theatre in Seattle, Washington.Scot Sexton’s setup for Pageant: The Musical Comedy Beauty Competition at ACT Theatre in Seattle, Washington.Scot Sexton’s setup for Pageant: The Musical Comedy Beauty Competition at ACT Theatre in Seattle, Washington.Scot Sexton’s setup for Pageant: The Musical Comedy Beauty Competition at ACT Theatre in Seattle, Washington.Scot Sexton’s setup for Pageant: The Musical Comedy Beauty Competition at ACT Theatre in Seattle, Washington.Scot Sexton’s setup for Pageant: The Musical Comedy Beauty Competition at ACT Theatre in Seattle, Washington.Scot Sexton’s setup for Pageant: The Musical Comedy Beauty Competition at ACT Theatre in Seattle, Washington.Scot Sexton’s setup for Pageant: The Musical Comedy Beauty Competition at ACT Theatre in Seattle, Washington.Scot Sexton’s setup for Pageant: The Musical Comedy Beauty Competition at ACT Theatre in Seattle, Washington.Scot Sexton’s setup for Pageant: The Musical Comedy Beauty Competition at ACT Theatre in Seattle, Washington.Scot Sexton’s setup for Pageant: The Musical Comedy Beauty Competition at ACT Theatre in Seattle, Washington.Scot Sexton’s setup for Pageant: The Musical Comedy Beauty Competition at ACT Theatre in Seattle, Washington.

Drums: Custom built by Scot using Yamaha shells

  • 20”x14” bass drum 
  • 10” Rack Tom
  • 12” Rack Tom
  • 14” Floor Tom
  • 13” Yamaha Musashi Snare Drum

Cymbals:

  • Zildjian 8” Splash 
  • Wuhan 10” Splash
  • Zildjian 14” A Custom Mastersound Hi-Hats
  • Zildjian 14” Fast Crash
  • Sabian 16” AAX Crash
  • Zildjian 20” '70’s Ride 

Percussion:

  • Spectrasound Mark Tree
  • Miller Machine with 6” Triangle
  • LP Rock Cowbell 
  • LP Red Jam Block

Pageant: The Musical Comedy Beauty Competition - Regional - Scot Sexton
June 2018

Scot Sexton’s setup for Pageant: The Musical Comedy Beauty Competition at ACT Theatre in Seattle, Washington.

Eric Poland's drum set setup for the Broadway revival of Annie at the Palace Theatre.
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Jeremy Lowe’s setup for the National Tour of Peter And The Starcatcher.
Mario DeCiutiis, Dave Roth, and Matt Beaumont’s percussion setup for the Radio City Christmas Spectacular in New York City.
"When I was preparing to conductNice Work if You Can Get It, I began by watching a video of the conductor and marking my score with any cues or beat patterns that were not obvious to me. I wanted to be completely comfortable with the Musical Directors choreography before watching the video of the stage and trying to put the music to the action of the actors and dancers."
"Once you get 'that call' to do a show, the first objective for every percussionist is to find out what instruments will be required. There are a number of different sources that might provide this."
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"After a grueling four years at SUNY I still had one theory class left to finish. I was really depressed. A classmate of mine recommended me for a tour of a Broadway show. This completely changed the course of my life."
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Robbie Ameen's drum solo from the track "Spring Fling".
Bill Stewart's drum solo from the title track of his album Snide Remarks.

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