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Scandalous - Billy Miller

Billy Miller's percussion setup for the Broadway production of Scandalous at the Neil Simon Theatre.

Read Billy's write-up about the show below the photos.

Billy Miller's percussion setup for the Broadway production of Scandalous at the Neil Simon Theatre.Billy Miller's percussion setup for the Broadway production of Scandalous at the Neil Simon Theatre.Billy Miller's percussion setup for the Broadway production of Scandalous at the Neil Simon Theatre.Billy Miller's percussion setup for the Broadway production of Scandalous at the Neil Simon Theatre.Billy Miller's percussion setup for the Broadway production of Scandalous at the Neil Simon Theatre.

Photos Below: Billy's setup for the Cast Album Session at Avatar Studios in New York City. "I had so much running around to do I had to bring in some extra help :)”

Billy Miller's percussion setup for the Broadway production of Scandalous at the Neil Simon Theatre.Billy Miller's percussion setup for the Broadway production of Scandalous at the Neil Simon Theatre.

“A short lived show but so much fun to play, I was sorry to see it go. I really enjoyed having my own space. Drums, percussion, bass, and key 2 were all outside the pit in separate rooms. We were all hooked up with talkbacks to the conductor who was about 10 feet away in the pit."

Gear:

  • Timpani (32" & 26")
  • Chimes
  • Concert Bass Drum with Cymbal Attachment
  • Vibes
  • Bells
  • Xylophone
  • Suspended Cymbal
  • Tambourines (headed & un-headed)
  • Mark Tree
  • Bell Tree
  • Finger Cymbal
  • Crotales
  • Doumbek
  • Bodhran
  • Triangle
  • Siren
  • Castanets
  • Cowbell
  • Ratchet
  • Maracas
  • Woodblock
  • Slapstick
  • Typewriter Bell

Billy's Broadway Credits.

Scandalous - Broadway - Billy Miller
November 2012 thru December 2012

Billy Miller's percussion setup for the Broadway production of Scandalous at the Neil Simon Theatre.

Sal Mazzotta's setup for the World Premiere of Here You Come Again, a new Dolly Parton Musical, at the Delaware Theatre Company, in Wilmington, Delaware.
Andrew Warren's setup for Head Over Heels at the Gateway Playhouse in Bellport, New York.
Paul Pizzuti's drum set setup for the 2014 recording session of NBC’s Peter Pan Live at Avatar Studios in New York City.
  • 1 min read
"It hasn’t always been easy (and it’s certainly very odd right now!) but personally I’ve always enjoyed the challenge. I’ve heard a few things along the way that have informed how I’ve thought about New York City and the idea of 'making it'”.
  • 5 min read
"The musical experience of recording a Broadway cast album ranges from easy to difficult depending on the circumstances. I find that the two factors that contribute most to the quality of the experience are: 1) how good the band is; and 2) how soon after you started the show you record the album"
  • 5 min read
"When I was preparing to conductNice Work if You Can Get It, I began by watching a video of the conductor and marking my score with any cues or beat patterns that were not obvious to me. I wanted to be completely comfortable with the Musical Directors choreography before watching the video of the stage and trying to put the music to the action of the actors and dancers."
Bill Stewart's drum solo from the title track of his album Snide Remarks.
Robbie Ameen's drum solo from the track "Spring Fling".
Steve Jordan's drum solo from the title track of the album Casa Loco.

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