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Seussical - Brandon Levesque

Brandon Levesque’s percussion setup for Rhode Island College’s production of Seussical.

Read Brandon's write-up about the show, below the photos.

Brandon Levesque’s percussion setup for Rhode Island College’s production of Seussical.Brandon Levesque’s percussion setup for Rhode Island College’s production of Seussical.Brandon Levesque’s percussion setup for Rhode Island College’s production of Seussical.Brandon Levesque’s percussion setup for Rhode Island College’s production of Seussical.Brandon Levesque’s percussion setup for Rhode Island College’s production of Seussical.

“I thoroughly enjoyed playing the percussion book for Seussical. There is not too much down time and I never felt rushed. The musical has a little bit of everything in it; mallets, timpani, latin percussion and plenty of accessories. As always I needed to figure out the best way to set up so I could get to everything with relative ease. I decided to have the main music stand centered between the xylophone/bells and the latin percussion instruments (bongos, djembe, congas) since those are played most often. The timpani were set off to the back because the timpani part is not that difficult and I was still able to see the music from that distance. I placed the vibraphone off to the right-hand side with an added music stand. The vibraphone part is not as busy as the bells and xylophone.

Instruments I left out were chimes (no room so I doubled on bells) and crotales. For the crotale sound, I cut a timbale mallet down and screwed a finger cymbal to the top, using that as a mallet on the bells. It gave a different timbre instead of using a normal bell mallet on the bells.

Also, there is one marimba part which states marimba/vibraphone so I chose to play it on the vibes."

Equipment List:

  • Yamaha Timpani - 29” & 26”
  • Musser M39 Xylophone
  • Musser M645 Bells
  • Musser M48 Vibraphone
  • LP Aspire Congas - 11” & 10”
  • LP Matador Bongos
  • LP Cowbells - 2 different sizes
  • Djembe (mounted on a concert snare drum stand)
  • PDP 10" Mini Timbale
  • LP Multi-Guiro (LP 452) - used for the 3 scrapes in song 20A, measure 29
  • Meinl Luis Conte Shaker - Black
  • Grover Tambourine - German Silver/Bronze Combo
  • Miller Machine for Finger Cymbal
  • Miller Machine for Triangle
  • LP Granite Blocks (only need the top row of three)
  • LP Cabasa (used for two measures)
  • Zildjian A 15" Custom Crash
  • Sleigh Bells
  • Steve Weiss Ratchet
  • TreeWorks Chimes
  • Carroll Bell Tree
  • Acme Siren Whistle
  • Samba Whistle
  • Vibraslap
  • “Counter” Bell - took one off the counter at the school where I work
  • Pop Gun (one pop for the entire musical)
  • Rainstick

Seussical - Regional - Brandon Levesque
April 2017

Brandon Levesque’s percussion setup for Rhode Island College’s production of Seussical.

Eric Poland's drum set setup for the Broadway revival of Nice Work If You Can Get It at the Imperial Theatre.
David Thalmann’s setup for Joseph and the Amazing Technicolor Dreamcoat at the Murray Arts Guild - Murray Park Amphitheater, in Murray, Utah.
Mike Drake's set up for Side Show at the Casa Mañana Theater, in Fort Worth, Texas.
  • 3 min read
"Thursday, February 16th, 2017 was a special day. I was both excited and nervous as I stepped into SIR Studios in Manhattan to start the first orchestra rehearsal for the Broadway production of Miss Saigon."
"When preparing a percussion book for a new Broadway show, we occasionally get the music in advance. That allows us to start our “treasure hunt” early, to have the right sounds ready, and to get a jump on the setup. But often, Broadway is the first appearance of the fully orchestrated show, and we have seen very little before the first rehearsal."
  • 5 min read
"The musical experience of recording a Broadway cast album ranges from easy to difficult depending on the circumstances. I find that the two factors that contribute most to the quality of the experience are: 1) how good the band is; and 2) how soon after you started the show you record the album"
  • 5 min read
Robbie Ameen's drum solo from the track "Spring Fling".

Gene Krupa's drum solo from "Gene's Blues" from the album Gene Krupa and Buddy Rich released November 1955.

Bill Stewart's drum solo from the title track of his album Snide Remarks.

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