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Seussical - Scot Sexton

Scot Sexton’s combined book setup for Seussical with Broadway Bound in Seattle, Washington.

Read Scot's write-up about the show, below the photos.

Scot Sexton’s combined book setup for Seussical with Broadway Bound in Seattle, Washington.Scot Sexton’s combined book setup for Seussical with Broadway Bound in Seattle, Washington.Scot Sexton’s combined book setup for Seussical with Broadway Bound in Seattle, Washington.Scot Sexton’s combined book setup for Seussical with Broadway Bound in Seattle, Washington.Scot Sexton’s combined book setup for Seussical with Broadway Bound in Seattle, Washington.Scot Sexton’s combined book setup for Seussical with Broadway Bound in Seattle, Washington.Scot Sexton’s combined book setup for Seussical with Broadway Bound in Seattle, Washington.Scot Sexton’s combined book setup for Seussical with Broadway Bound in Seattle, Washington.Scot Sexton’s combined book setup for Seussical with Broadway Bound in Seattle, Washington.

"This is one of those shows where combing the two books (drums and percussion) can be a fun challenge. There is not a lot of down time so its pretty much all playing.

With this one I did my usual process of laying out the books side by side. I start with the drum set book, and add in the things that are easy to catch from the percussion book. I keep going until I only have mallet parts left. Then I look into how much of those I can do electronically with samples.

With this show I knew I would be juggling sticks, page turns, shakers and beaters so as I was combining the books I was also working on my layout and choreography. Thus allowing me to see what would work and what wouldn't."

Drums: All custom built birch shells by Scot

  • 20"x15" Bass Drum
  • 14"x14" Floor Tom
  • 12"x8" Rack Tom
  • 10"x8" Rack Tom
  • 14"x5.5" Snare Drum
  • 13"x3" Snare Drum

Heads:

  • Remo Coated Ambassador on snare batter
  • Remo Hazy Ambassador on snare side
  • Remo Pinstripe on all tom batter heads
  • Remo Ambassador Clear on all tom resonant heads

Cymbals:

  • Zildjian 20" 1960’s Ride cymbal
  • Sabian 16" AAX X-Plosion Crash 
  • Zildjian 14" 1970’s Hi-Hats
  • Wuhan 10" Splash 

Percussion:

  • TreeWorks 6" Triangle 
  • TreeWorks Tre35 Bar Chimes
  • LP Bell Tree
  • RhythmTech Tambourine (mounted on its own stand)
  • Acme Siren Whistle
  • LP Samba Whistle 
  • LP Granite Blocks
  • LP Rock Cowbell 
  • LP Black Beauty Cowbell
  • Ratchet
  • Steve Weiss Vibraslap
  • Rainstick 20"
  • Egg Shaker
  • Miller Machine with 8" TreeWorks Triangle
  • Miller Machine with mounted Finger Cymbal

Electronics:

  • Roland HandSonic HPD-20 for triggering djembe and bongos
  • Alesis SamplePad Pro for triggering counter bell, sleigh bells, timbale, congas, cork pop, cabasa, glock, crotales and xylophone

Sticks:

  • Regal Tip Jazz Drum Sticks
  • Regal Tip wire brushes 
  • Zildjian John Riley Double Stick Mallet

Seussical - Regional - Scot Sexton
May 2017

Scot Sexton’s combined book setup for Seussical with Broadway Bound in Seattle, Washington.

Eric Poland's drum set setup for the Broadway revival of Nice Work If You Can Get It at the Imperial Theatre.
David Thalmann’s setup for Joseph and the Amazing Technicolor Dreamcoat at the Murray Arts Guild - Murray Park Amphitheater, in Murray, Utah.
Mike Drake's set up for Side Show at the Casa Mañana Theater, in Fort Worth, Texas.
  • 3 min read
"Thursday, February 16th, 2017 was a special day. I was both excited and nervous as I stepped into SIR Studios in Manhattan to start the first orchestra rehearsal for the Broadway production of Miss Saigon."
"When preparing a percussion book for a new Broadway show, we occasionally get the music in advance. That allows us to start our “treasure hunt” early, to have the right sounds ready, and to get a jump on the setup. But often, Broadway is the first appearance of the fully orchestrated show, and we have seen very little before the first rehearsal."
  • 5 min read
"The musical experience of recording a Broadway cast album ranges from easy to difficult depending on the circumstances. I find that the two factors that contribute most to the quality of the experience are: 1) how good the band is; and 2) how soon after you started the show you record the album"
  • 5 min read
Robbie Ameen's drum solo from the track "Spring Fling".

Gene Krupa's drum solo from "Gene's Blues" from the album Gene Krupa and Buddy Rich released November 1955.

Bill Stewart's drum solo from the title track of his album Snide Remarks.

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