Spamalot - Petter Nilsen - The Miller Machine

1 min read

Petter Nilsen’s combined book setup for Spamalot at Romerike Folkehøgskole, in Jessheim, Norway.

Petter's write-up below photos.

Petter Nilsen’s combined book setup for Spamalot at Romerike Folkehøgskole, in Jessheim, Norway.

Petter Nilsen:

"I'm playing a combined book of the drums and percussion parts, as well as extracts from various keyboard parts whenever my hands are free. This leads to some choreography for me, but makes the musical even more fun to play than it already is."

Spamalot - International - Petter Nilsen
April 2018

Petter Nilsen’s combined book setup for Spamalot at Romerike Folkehøgskole, in Jessheim, Norway.

More Setups

Nice Work If You Can Get It - Eric Poland

Eric Poland's drum set setup for the Broadway revival of Nice Work If You Can Get It at the Imperial Theatre.

2 min read

Joseph and the Amazing Technicolor Dreamcoat - David Thalmann

David Thalmann’s setup for Joseph and the Amazing Technicolor Dreamcoat at the Murray Arts Guild - Murray Park Amphitheater, in Murray, Utah.

1 min read

Side Show - Mike Drake

Mike Drake's set up for Side Show at the Casa Mañana Theater, in Fort Worth, Texas.

3 min read

Articles

"My Way to Broadway" by Chihiro Shibayama

"Thursday, February 16th, 2017 was a special day. I was both excited and nervous as I stepped into SIR Studios in Manhattan to start the first orchestra rehearsal for the Broadway production of Miss Saigon."

7 min read

"Setting Up a New Broadway Percussion Book" by Bill Hayes

"When preparing a percussion book for a new Broadway show, we occasionally get the music in advance. That allows us to start our “treasure hunt” early, to have the right sounds ready, and to get a jump on the setup. But often, Broadway is the first appearance of the fully orchestrated show, and we have seen very little before the first rehearsal."

5 min read

"My Experiences Recording a Broadway Cast Album" by Jared Schonig

"The musical experience of recording a Broadway cast album ranges from easy to difficult depending on the circumstances. I find that the two factors that contribute most to the quality of the experience are: 1) how good the band is; and 2) how soon after you started the show you record the album"