Triangle Machine

Finger Cymbal Machine

Triangle Machine Plus

Crotale Machine

Horizontal Machine

Order two or more Machines. Get 5% off each. Discount in cart.

Triangle Arm

Machine Body

Finger Cymbal Arm

Machine Body Plus

Crotale Arm + Beater

Horizontal Mount

Everything's interchangeable. Mix and match all pieces.

Beater Upgrade Kit

Extra Plastic Ties

Finger Cymbal Mount

Triangle Suspension Mount

Order any two parts. Get 3rd part 25% off. Discount in cart.

Tarzan - Rob Fedson

Rob Fedson's setup for Tarzan at the Palace Theatre in Georgetown, Texas (Austin area).

Rob Fedson's setup for Tarzan at the Palace Theatre in Georgetown, Texas (Austin area).Rob Fedson's setup for Tarzan at the Palace Theatre in Georgetown, Texas (Austin area).Rob Fedson's setup for Tarzan at the Palace Theatre in Georgetown, Texas (Austin area).Rob Fedson's setup for Tarzan at the Palace Theatre in Georgetown, Texas (Austin area).Rob Fedson's setup for Tarzan at the Palace Theatre in Georgetown, Texas (Austin area).Rob Fedson's setup for Tarzan at the Palace Theatre in Georgetown, Texas (Austin area).Rob Fedson's setup for Tarzan at the Palace Theatre in Georgetown, Texas (Austin area).

Drums:

  • Gretsch 16"x20" Kick (Vintage ’83) with Evans EMAD Batter and Remo Fiberskyn Powerstroke Resonant
  • Gretsch 2015 Catalina Maple 7"x10", 8"x12", 14"x14" and 16"x16" Toms modified with die cast hoops on top, flanged hoops on bottom, with Remo Clear Pinstripe Batters and Remo Clear Diplomat Resonant heads
  • Ludwig 6.5"x14" Hammered Bronze Supraphonic with Remo Vintage A Batter and Ludwig Weather Master Resonant

Hardware:

  • Yamaha Hardware except tom mounts and multi clamp holding the Miller Machines
  • Carmichael Throne
  • Stick Hammock Stick Tray
  • Manhasset 53D Drummer Music Stands (2)

Cymbals:

  • Zildjian 21" A Series Sweet Ride
  • Zildjian 16" A Series Medium Thin Crash
  • Zildjian 18" A Series Medium Thin Crash
  • Zildjian 14” New Beat Hi-Hats (have since swapped out for my early 1970’s New Beats)
  • Sabian 12” HH Splash (early 80’s)
  • Paiste 20” 2002 China (1970’s)

Electronics:

  • Yamaha DTX-M12 Controller Pad w/KAT Percussion Kick Trigger Pad
  • Yamaha FP65 Pedal Triggers left foot pedals (two)
  • Yamaha 3-Zone Electronic Drum Pad and two Yamaha 1-Zone Electronic Drum Pads for playing gongs, conga, bongo, log drums, African drums, surdo, shekere, and tambourine
  • Apple iPad running Yamaha DTX Touch App
  • Android Tablet running Behringer X32 Q Headphone Mix Controller

Percussion:

  • Remo 14" Mondo Djembe
  • Meinl Talking Drum
  • Meinl Rainstick
  • Meinl Russ Miller Artist Series Cowbell mounted on bass drum with DW Claw Hook Accessory Clamp
  • Spectrasound Mark Tree with damper (1970’s)
  • Brake Drum (junk yard, found and cleaned up)
  • Meinl Studio Shakers
  • Meinl Motion Shaker
  • LP One Shot Shaker
  • LP Finger Shot Shakers (2)
  • Various Gourds and Caxixi
  • Goat Toe Rattles
  • Brass Ankle Bells
  • RhythmTech Studio Shaker
  • RhythmTech Hat Trick
  • Aquarium tubing in sound hole of 14” tom for glissando effects
  • Miller Machine with Zildjian Finger Cymbal
  • Miller Machine with Grover Phosphor Bronze Triangle

Weapons:

  • Vic Firth Russ Miller Hi-Def Signature Sticks
  • Vic Firth Steve Jordan Sticks
  • Vic Firth Heritage Brushes
  • Zildjian John Riley Double Stick Mallet
  • RhythmTech Shaker Stick
  • Gibraltar Jingle Stick
  • Silver dollars for cymbal scrapes

Tarzan - Regional - Rob Fedson
February 2016

Rob Fedson's setup for Tarzan at the Palace Theatre in Georgetown, Texas (Austin area).

Greg Landes’ setup for the Off Broadway production of The Landing at the Vineyard Theatre in New York City.
Mike Drake's set up for Side Show at the Casa Mañana Theater, in Fort Worth, Texas.
  • 3 min read
Greg Landes’ setup for the Pit Stop Players’ concert at Symphony Space in New York City.
"After a week or two of rehearsals there is usually a performance or two of the show for an invited audience. Sometimes these performances can be intense if there are important people in the room, or if certain sections of the show feel under prepared. This is why it’s so important to know the score and script very well."
  • 6 min read
"The unique part of Groundhog Day was that the drummer had to play on stage, in a groundhog costume, wearing a giant groundhog head. Since I could barely see out of the head, it was impossible to read a chart (and there wasn’t a music stand), so it had to be memorized."
  • 4 min read
"If you are passionate, driven, feel you have a calling, a burning desire to play, practice, perform, and record music that you can share with the world, then choosing to be a professional musician here will make you a fulfilled and happy person. You’ll meet the most amazing people on stage, in the rehearsal room and in the audience."
  • 6 min read
Steve Gadd's drum solo from the track "Signed, Sealed, Delivered I'm Yours". From the album Live Stuff (out of print) from the legendary 1970's New York based band Stuff.
Robbie Ameen's drum solo from the track "Spring Fling".

Gene Krupa's drum solo from "Gene's Blues" from the album Gene Krupa and Buddy Rich released November 1955.

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