Order 2 or more Machines. Get 5% off each. Discount in cart.

All pieces interchangeable. Mix and match.

Order 3 or more. Get 10% off all. Discount in cart.

Urinetown - Eli Maniscalco

Eli Maniscalco’s setup for Urinetown at the YMCA Boulton Center for the Performing Arts in Bay Shore, New York.

Eli Maniscalco’s setup for Urinetown at the YMCA Boulton Center for the Performing Arts in Bay Shore, New York.Eli Maniscalco’s setup for Urinetown at the YMCA Boulton Center for the Performing Arts in Bay Shore, New York.Eli Maniscalco’s setup for Urinetown at the YMCA Boulton Center for the Performing Arts in Bay Shore, New York.Eli Maniscalco’s setup for Urinetown at the YMCA Boulton Center for the Performing Arts in Bay Shore, New York.Eli Maniscalco’s setup for Urinetown at the YMCA Boulton Center for the Performing Arts in Bay Shore, New York.Eli Maniscalco’s setup for Urinetown at the YMCA Boulton Center for the Performing Arts in Bay Shore, New York.Eli Maniscalco’s setup for Urinetown at the YMCA Boulton Center for the Performing Arts in Bay Shore, New York.Eli Maniscalco’s setup for Urinetown at the YMCA Boulton Center for the Performing Arts in Bay Shore, New York.Eli Maniscalco’s setup for Urinetown at the YMCA Boulton Center for the Performing Arts in Bay Shore, New York.

"The pit was extremely small, so I had to leave out the toms as well as the big instruments, but was able to cover most of the other sounds. Playing this book on a small setup was a fun challenge.

After trying several options for the anvil sound, I chose my LP Salsa Sergio Cowbell and struck it on the edge toward the back. For the tambourine, I covered everything on the mounted LP Cyclops.

The Miller Machine is, of course, essential; you can see it to my right, holding the Alan Abel 4" triangle. I didn't have the Finger Cymbal Machine for this run, so I played that by hand (it's one note in the whole book) and kept it on a "trap towel" on the floor along with my emergency batteries and gaffer's tape.

As a working musician who gigs around town, I favor lightweight hardware that packs up small, and use the same hardware for theater work. The hi hat stand and main cymbal stand are DW Ultralight Flat Base. To the right is a Pearl Convertible Boom Stand; it has a reversible flat/tripod base and was recommended as one of the lightest stands with enough flexibility and stability for musical theater setups."

Drums:

  • Pearl Sensitone Elite 14x5.5" Aluminum Snare
  • Rogers Script Logo 20x12" Bass Drum, a converted marching drum, w/DW large felt beater

Heads:

  • Snare: Remo Powerstroke 3 Coated Batter, Diplomat Snare Side w/20 strand wires
  • Bass drum: Remo Powerstroke 3 Clear Batter, Ebony Ambassador Reso with center port and a small pillow touching both heads

Cymbals:

  • Sabian 14" AA Regular Hats
  • Istanbul Agop 18" Xist Crash
  • Masterwork 10" Iris Splash
  • Sabian 20" HHX Stage Ride

Percussion:

  • LP Jam Block Blue
  • LP Black Beauty Senior Cowbell
  • Grover Pro Spectrasound Mark Tree
  • Steve Weiss Ratchet
  • LP Salsa Sergio Cowbell (as anvil)
  • LP Cyclops Mounted Tambourine
  • Alan Abel 4" Triangle mounted on Miller Machine
  • Sabian Finger Cymbal

Sticks:

  • Artifact Percussion Broadway Swizzles

Urinetown - Regional - Eli Maniscalco
May 2019

Eli Maniscalco’s setup for Urinetown at the YMCA Boulton Center for the Performing Arts in Bay Shore, New York.

"Conducting a National Tour is incredibly challenging, but so rewarding. Stepping on to the podium with a new orchestra every few weeks really keeps you on your toes. Every player responds differently so you are constantly adjusting to get the desired result. I would compare it to playing a multi-percussion piece where the instruments are constantly moving."
"After a grueling four years at SUNY I still had one theory class left to finish. I was really depressed. A classmate of mine recommended me for a tour of a Broadway show. This completely changed the course of my life."
"When I first got the call to start working on Ain’t Too Proud - The Life And Times Of The Temptations, I was curious about which era the show was going to focus on. Their career began in the early 1960’s and they’re still releasing albums today."

Ron Grassi's drum set setup for Mean Girls at Archbishop Performing Arts, in Warminster, Pennsylvania.

"The main challenge that I found with this show was the very quick instrument and stick changes. Having a good pair of swizzle sticks is necessary to go from tambourine to timpani and sometimes rolls on the concert bass drum."
"The real impetus of this book is the timpani. It is definitely the driving force for the percussion inBack to the Future and it requires a big articulate sound and once again Yamaha with the Evans Orchestral White Opaque Heads just deliver."

Gene Krupa's drum solo from "Gene's Blues" from the album Gene Krupa and Buddy Rich released November 1955.

Steve Jordan's drum solo from the title track of the album Casa Loco.
Robbie Ameen's drum solo from the track "Spring Fling".

Search