"This was a fun challenge to pair down three books into one. Although I am basically playing for 2 1/2 hours straight, it is a BLAST!. It gave me a reason to buy more gear including the wicked cool 'Vertical Gong' on the right of my setup from Kevin over at Creative Percussion."
"I chose each of the cymbals for a specific sound as well. I went with fast crashes so that the sound would fade away fairly fast. The band was on stage, so the speed of fade was an important aspect so as to not interfere with the vocals."
"Since the band is visible onstage for the all of the scenes that take place in the diner, we are given a prop coffee mug and encouraged to chat with each other and appear like regular diner patrons during the time that we are not playing.'
"Picking out drums for this show has been a lot of fun. I'm using many TreeHouse Drums prototypes. Since it’s not a traditional drum set book, I get to play around with all the concert gear that we've been making lately."
"The orchestra was stationed in the theater's rehearsal studio next to the main stage, and was considered a part of the set. We were set up and lit as if we were in John Williams' studio, and the audience could pass by and see us before and after."
"This book focuses mainly on classical percussion but requires a wide range of skillsets, with moments of powerful timpani, drum set heavy dance numbers, and fast xylophone licks. All while covering sound effects and juggling auxiliary percussion."
"As you can see in the pictures, I prefer to have as much 'stuff' right in front of me, as close as possible. Because there are so many instruments close in, I have mounted a music stand off of the tom mount.