Mario DeCiutiis, Dave Roth, and Matt Beaumont’s percussion setup for the Radio City Christmas Spectacular in New York City.
"When I got hired for this tour, the first thing I was told was that it was going to be a one player, combined book. This certainly became a challenge but it is laid out very well by UK orchestrater, Stephen Metcalfe, and honors the late Bill Brohn’s work."
Craig Given's combined book setup for Ragtime at the National Academy for Singing and Dramatic Art (3rd Year Students Production) in Christchurch, New Zealand.
Andy Blanco’s percussion setup for the 2017-2018 Broadway production of Hello, Dolly! at the Shubert Theater in New York City.
"Being flexible to any situation is critical in the pit orchestra world. During the run of this production I was reminded of that in three ways."
Rex Lycan’s percussion setup for The Little Mermaid at the Howard Brubeck Theatre in San Marcos, California.
Joe Nero's percussion setup for the Broadway revival of Annie at the Palace Theatre.
Shan Chana's percussion setup for Aladdin at the Prince of Wales Theatre in London's West End.
Matt Ordaz's setup for A Grand Night For Singing at the Richard and Karen Carpenter Center in Long Beach, California.
Deane Prouty's setup for the Off Broadway production of Peter and the Starcatcher at New World Stages, in New York City.
Deane Prouty's setup for the Broadway production of Peter and the Starcatcher at the Brooks Atkinson Theatre in New York City.
Debbie Minnichelli's percussion setup for Smokey Joe's Cafe at the Stage Door Repertory Theatre in Anaheim, California.